The Cinematography Podcast Episode 357 - Lawrence Sher ASC: filming Apex in the Australian wilderness
When Lawrence Sher, ASC took the job shooting Apex, he knew it was going to be both creatively and physically challenging. “The...
When Lawrence Sher, ASC took the job shooting Apex, he knew it was going to be both creatively and physically challenging. “The...
The Apple TV show Margo’s Got Money Troubles really resonated with cinematographer Tari Segal, ASC. As a working film professional, she and...
The Testaments, a sequel series to The Handmaid’s Tale, revisits the visual language of an iconic world and makes it feel...
Hunting Matthew Nichols is an indie horror film that’s shot as a mockumentary/found-footage movie about a documentary filmmaker investigating her brother’s...
Cinematographer Isaac Bauman captured the visual identities of two different sides of the horror spectrum in They Will Kill You and Faces of Death. Both...
Producer Ted Hope has worked in the film business for over 40 years, producing dozens of features with several Academy Awards nominations...
When the Apple TV show Pluribus hit screens, it carried a familiar visual signature crafted by cinematographers Marshall Adams, ASC and Paul Donachie. The two...
When cinematographer Lawrence Sher, ASC first read the script for Maggie Gyllenhaal’s The Bride, he didn’t have a plan. In fact, he...
In a world of slick, uniform blockbusters, Good Luck, Have Fun, Don’t Die stands out as a melding of different styles. The...