Venus Optics

OVERVIEW RF-Mount Lens, T2.1 to T22 Aperture 110° Angle of View, Low Distortion Covers Full-Frame Sensors 6" Close Focus, 0.8 MOD Cine Gears 12 Elements in 9 Groups, 5-Blade Iris 80mm...

OVERVIEW RF-Mount Lens, T2.9 to T22 Aperture 122° Angle of View, Low Distortion Covers Full-Frame/VistaVision/ALEXA LF 7" Close Focus, 0.8 MOD Cine Gears 16 Elements in 10 Groups, 7-Blade...

OVERVIEW RF Mount Lens, T2.9 to T22 Aperture 113° Angle of View, Covers Super35 4.7" Close Focus, 0.8 MOD Cine Gears 15 Elements in 10 Groups, 7-Blade Iris 58mm Front Diameter, 55mm Filter...

OVERVIEW Laowa's first dedicated cinema lens, the OOOM (Out Of Our Minds) 25-100mm T2.9, that includes the tailored 1.33x anamorphic Rear adapter and 1.4x full frame expander, is the ideal zoom lens...

OVERVIEW The Venus Optics Laowa 7.5mm t/2.1 Zero-D Cine Lens for MFT is the widest rectilinear lens for Micro 4/3 format. Inheriting it's optical design from it's brother the still 7.5mm f/2.0,...

OVERVIEW Inheriting it's optical design from it's brother the still 9mm f/2.8 Zero-D, the compact Venus Optics Laowa 9mm t/2.9 Zero-D Cine Lens for MFT is perfect for run-and-gun, drones, gimbles,...

OVERVIEW Inheriting it's optical design from it's brother the still 9mm f/2.8 Zero-D, the compact Venus Optics Laowa 9mm t/2.9 Zero-D Cine Lens for Sony E is perfect for run-and-gun, drones, gimbles,...

OVERVIEW Inheriting it's optical design from it's brother the still 9mm f/2.8 Zero-D, the compact Venus Optics Laowa 9mm t/2.9 Zero-D Cine Lens for Fuji X is perfect for run-and-gun, drones, gimbles,...

OVERVIEW The Venus Optics Laowa 15mm t/2.1 Zero-D Cine Lens for Sony E is an ultra-wide rectilinear lens with little to no distortion, hence the 'Zero-D' in the name. Full Frame coverage and...

OVERVIEW Full Frame / Vista Vision coverage Close to zero distortion 122 degrees FoV Super Compact EF or PL or E mount available Step-up to 114mm for matte box installation The...

OVERVIEW Full Frame / Vista Vision coverage Close to zero distortion 122 degrees FoV Super Compact EF or PL or E mount available Step-up to 114mm for matte box installation The...

OVERVIEW Full Frame / Vista Vision coverage Close to zero distortion 122 degrees FoV Super Compact EF or PL or E mount available Step-up to 114mm for matte box installation The new Venus...

OVERVIEW Laowa's first dedicated cinema lens, the OOOM (Out Of Our Minds) 25-100mm T2.9 is the ideal zoom lens for the cinematographer looking to jump from still photo lenses into the world of...

OVERVIEW The Laowa 1.33x Rear Anamorphic Adapter is different from a more “traditional” front anamorphic adapter like the ones from SLR Magic for example. With the Laowa rear anamorphic...

OVERVIEW The Laowa 1.4x Full-Frame Expander Adapter, made specifically for the Laowa OOOM Cine Zoom lens, but it should also be compatible with other lenses,  allows you to expand the...

OVERVIEW PL-Mount Lens/Full-Frame Format Aperture Range: f/14 to f/40 Two Extra-Low Dispersion Elements One Extra Refractive Index Element Magnification: 2:1 to Infinity Min. Focus: 1.5'; Working...

OVERVIEW EF-Mount Lens/Full-Frame Format Aperture Range: f/14 to f/40 Two Extra-Low Dispersion Elements One Extra Refractive Index Element Magnification: 2:1 to Infinity Min. Focus: 1...

OVERVIEW E-Mount Lens/Full-Frame Format Aperture Range: f/14 to f/40 Two Extra-Low Dispersion Elements One Extra Refractive Index Element Magnification: 2:1 to Infinity Min. Focus: 1.5'; Working...

OVERVIEW F-Mount Lens/FX Format Aperture Range: f/14 to f/40 Two Extra-Low Dispersion Elements One Extra Refractive Index Element Magnification: 2:1 to Infinity Min. Focus: 1.5'; Working Distance: 0...

OVERVIEW EF-Mount Lens/Full-Frame Format Aperture Range: f/14 to f/40 Two Extra-Low Dispersion Elements One Extra Refractive Index Element Magnification: 2:1 to Infinity Min. Focus: 1...