The Cinematography Podcast Episode 372 - DP Brett Pawlak's vision for Spider-Man: Brand New Day
When Brett Pawlak walked into prep for Spider-Man: Brand New Day, he wasn’t chasing a bigger, shinier version of the superhero...
When Brett Pawlak walked into prep for Spider-Man: Brand New Day, he wasn’t chasing a bigger, shinier version of the superhero...
Director Potsy Ponciroli and cinematographer John Matysiak had previously worked together on the 2021 indie Western, Old Henry. However, when Ponciroli first handed...
The charming romantic comedy Voicemails for Isabelle reunited cinematographer Julia Swain with director Leah McKendrick, and gave Swain the opportunity to film in...
Fresh off of shooting One Battle After Another, cinematographer Michael Bauman, ASC began work on Netflix’s Monster: The Ed Gein Story. He...
Instead of leading with grand, sweeping Game of Thrones melodrama, HBO’s A Knight of the Seven Kingdoms is a bit more of a buddy...
Emmy-nominated cinematographer Matt Ball has returned to the show to talk about Season 2 of Tucci in Italy. Shot over roughly seven...
When Eben Bolter, ASC, BSC signed on to shoot Apple TV’s new adaptation of Cape Fear, he inherited a legacy that...
Cinematographer Lyle Vincent believes that visual language can carry subtext without ever calling attention to itself. As he puts it,...
Christian Sprenger, ASC and producer/director Hiro Murai first met right out of film school on a commercial. The two have spent the...