The Cinematography Podcast Episode 369 - Michael Bauman on building horror for Monster: The Ed Gein Story
Fresh off of shooting One Battle After Another, cinematographer Michael Bauman, ASC began work on Netflix’s Monster: The Ed Gein Story. He...
Fresh off of shooting One Battle After Another, cinematographer Michael Bauman, ASC began work on Netflix’s Monster: The Ed Gein Story. He...
Instead of leading with grand, sweeping Game of Thrones melodrama, HBO’s A Knight of the Seven Kingdoms is a bit more of a buddy...
Emmy-nominated cinematographer Matt Ball has returned to the show to talk about Season 2 of Tucci in Italy. Shot over roughly seven...
When Eben Bolter, ASC, BSC signed on to shoot Apple TV’s new adaptation of Cape Fear, he inherited a legacy that...
Cinematographer Lyle Vincent believes that visual language can carry subtext without ever calling attention to itself. As he puts it,...
Christian Sprenger, ASC and producer/director Hiro Murai first met right out of film school on a commercial. The two have spent the...
When cinematographer Peter Konczal, ASC began production on Netflix’s Black Rabbit, the goal was to make something gritty and intense. “It was...
When he was researching the look for DTF St. Louis, cinematographer James Whitaker, ASC found a striking image while scrolling Instagram....
Cinematographer Richard Rutkowski, ASC has spent decades lensing visually distinctive shows such as The Americans, Jack Ryan, and Masters of the Air. His latest project,...