RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF) with Hot Rod Cameras PL to RF Mount Adapter (Mark II)
- Backordered - More on the Way
- 6.00 LBS
Get our exclusive Hot Rod Cameras PL to RF Mount Adapter (Mark II) bundled with the RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF). With this kit, you will get our PL Mount adapter for $199.00 (Original Value: $499.00).
Hot Rod Cameras PL to RF Mount Adapter (Mark II)
Inventor of the PL mount adapters, Hot Rod Cameras is proud to introduce the New Hot Rod Cameras PL to RF Mount Adapter (Mark II), which improves upon the original PL adapter, used by major rental houses the world over. Our Mark II version includes the first ever “Rotia Black” nano textured flocking. This deep black with a nano texture is inspired by the black textured feathers of a Lawes’ Parotia and enables PL mount lenses to be used on RF mount cameras with the most minimal internal light reflections and significantly improved contrast over a more typical anodized adapter.
Included with the mount is a custom PL cap and a shim set. **The PL cap is currently unavailable and will ship separately.**
- Extra-secure lens mounting screw option, comes with internal M2 size screw to attach to the camera and prevent all rotational play, commonly found on PL mount adapters.
- Solid Thermal Stable PL mount, resists expansion and contraction (focus drift) in a wider and more extreme range of temperatures.
- Allows shim adjustments with custom stainless steel shims. Includes with the PL adapter is 1 of each of the following shims, 0.025 mm, 0.05 mm, 0.08 mm, 0.1mm, and 0.12mm.
- Robust aircraft aluminum alloy and chromium plated brass construction.
- Ergonomic low profile lens locking ring design.
- Removable custom support foot for immobilizing and supporting heavy lenses with ¼”-20 thread, custom support pieces, cage, tripod or other accessory.
- Optional proprietary “flare ring” for creative effects (coming in Q4 2021)
RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF)
RED has taken fresh steps with the release of the RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF) by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. The KOMODO firmware update v.1.4.0 adds Beta support for Canon RF lenses, perfect complements to this lightweight and compact camera. Note that the RF lenses' Control Ring and Focus Range switch are not supported. Firmware v.1.4.0 also adds support for ARRI-edition Angelbird 256GB CFast 2.0 cards, RCP2 (RED Command Protocol), and Ethernet zeroconf (local-link IP addresses). Multiple bug fixes are also addressed with v.1.4.0.
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.
The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.
A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.
Getting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.
Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots which can be hot-swapped for practically unlimited recording in the field.
The RED KOMODO 6K certainly impresses with a complete all-in-one cinema camera solution in an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.
Firmware Update v.1.4.0
- Support for Canon RF lenses (RF lenses’ Control Ring and Focus Range switch are not supported)
- Support for ARRI-edition Angelbird 256GB CFast 2.0 cards
- Support for RCP2 (RED Command Protocol)
- Support for Ethernet Zeroconf (Local-Link IP address)
- Multiple bug fixes
6K S35 Sensor
6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160
The KOMODO 6K's global shutter produces crisp images while reducing motion artifacts
Compact Form, Versatile Power
Weighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply
Capture at rates up to 280 MB/s on RED PRO or qualified third-party CFast 2.0 cards
The robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time
- HQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion
- MQ is great for cinema and high-end TV projects
- LQ is ideal for TV, online content, documentaries, interviews, and long takes
Apple ProRes Formats
For proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)
Supports 3D LUTs and RED color science
Integrated 2.9" touchscreen LCD screen for video preview and camera control
|Sensor Size||27.03 x 14.26 mm (Super35)|
|Sensor Resolution||Effective: 19.9 Megapixel (6144 x 3240)|
|Sensor Windowing||(6144 x 3240) in 17:9 When Recording in Raw
(6144 x 3240) in 16:9 When Recording in Raw
(6144 x 3420) in 2.4:1 When Recording in Raw
(5120 x 2700) in 17:9 When Recording in Raw
(4096 x 2160) in 17:9 When Recording in Raw
(2048 x 1080) in 17:9 When Recording in Raw
|Shutter Type||Global Shutter|
|Advertised Dynamic Range||16 Stops|
|Lens Mount||Canon RF|
|Lens Communication||Yes, with Autofocus Support|
|Built-In ND Filter||None|
|Built-In Microphone Type||Stereo|
|Media/Memory Card Slot||Single Slot: CFast (CFast 2.0)|
|Raw Recording||REDCODE RAW:
6144 x 3240 at 40 fps (280 MB/s)
5120 x 2700 at 48 fps (280 MB/s)
4096 x 2160 at 60 fps (280 MB/s)
2048 x 1080 at 120 fps (280 MB/s)
|Recording Modes||ProRes 422/ProRes 422HQ:
4096 x 2160p up to 60 fps
2048 x 1080p up to 120 fps
|Audio Recording||2-Channel 24-Bit 48 kHz|
|Still Image Support||Not Specified by Manufacturer|
|Video Output||4:2:2 10-Bit via SDI/BNC:
4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps
3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps
2048 x 1080p at 23.98/24/25/29.97/30/50/59.94/60 fps
1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60 fps
|Video Connectors||1 x BNC (12G-SDI) Monitor Output|
|Audio Connectors||1 x 1/8" / 3.5 mm Stereo Mic Level Input|
|Other I/O||1 x 9-Pin GPI, Genlock, RS-232, Timecode|
|Wireless Interfaces||2.4 GHz, 5 GHz Wi-Fi Video Output, Control|
|Display Type||Fixed Touchscreen LCD|
|Resolution||1440 x 1440|
|EVF||Optional, Not Included|
|Battery Type||Canon BP-9 Series|
|Power Connectors||1 x 2-Pin LEMO (7 to 17 VDC) Input|
|Power Consumption||45 W|
|Tripod Mounting Thread||1/4"-20 Female (Bottom)
3/8"-16 Female (Bottom)
|Material of Construction||Aluminum|
|Dimensions||4 x 4" / 10.2 x 10.2 cm|
|Weight||2.1 lb / 1 kg|
|Package Weight||4.9 lb|
|Box Dimensions (LxWxH)||12 x 8.6 x 5.7"|