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ARRI MASTER ANAMORPHIC 100/T1.9 F

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$50,040.00
SKU:
K2.47947.0
Availability:
Special Order - Contact Us for ETA
Weight:
3.70 LBS
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Product Overview

A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.__

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.



Main Features
  • Low distortion for uncompromised cinemascope
    • straight lines stay straight
    • no distortion compensation in post necessary
    • low distortion even at close focus
  • Cinematic bokeh with high contrast and nice focus fall-off
    • very smooth out-of-focus image
    • immersive look
  • Beautiful skin tones and precise color rendition
    • smooth and pleasant skin tones
    • natural crispy color rendition
  • Characteristic out-of-focus highlights
    • oval and uniform illuminated out-of-focus highlights
    • smooth iris shape because of 15 aperture blades
  • Large image field for full freedom in composition
    • full 2.39:1 format is useable for image composition
    • no visible image drop at the corners
  • Large aperture of T1.9 for shallow depth of focus
    • T1.9 useable with any focal length at any distance
    • overcomes the old rule: ___anamorphics need to be stopped down to T4.5___
  • Virtually no image breathing
  • No anamorphic mumps (fat face effect)
  • Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
  • ARRI Lens Data System (LDS) for lens metadata
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Name: Master Anamorphic MA 28/T1.9 Master Anamorphic MA 35/T1.9 Master Anamorphic MA 40/T1.9 __
Lens Mount (1): PL LDS PL LDS PL LDS __
Aperture: T1.9 - T22 T1.9 - T22 T1.9 - T22 __
Close Focus (2): 0.65 m / 2'3" 0.75 m / 2'6" 0.70 m / 2'4" __
Magnification Ratio (3): H: 1:32.3 V: 1:16.4 H: 1:32.3, V: 1: 16.1 H: 1:25.6, V: 1: 12.8 __
Length (4): 183 mm / 7.2" 183 mm / 7.2" 183 mm / 7.2" __
Length (12): 235 mm / 9.3" 235 mm / 9.3" 235 mm / 9.3" __
Front Diameter (5): 114 mm / 4.5" 95 mm / 3.7" 95 mm / 3.7" __
Maximum Housing Diameter: 114 mm / 4.5" 114 mm / 4.5" 114 mm / 4.5" __
Weight (Kg): 2,5 2.6 2.7 __
Weight (lb): 5,5 5.7 6 __
Entrance Pupil (6) (mm) -188 -179 -177 __
Entrance Pupil (6) (inch) -7,04 -7.04 -6.96 __
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (7)
78__ ___ 36__ 65__ - 30__ 59__ - 26__ __
__ __ __ __ __
Name: Master Anamorphic MA 50/T1.9 Master Anamorphic MA 60/T1.9 Master Anamorphic MA 75/T1.9 __
Lens Mount (1): PL LDS PL LDS PL LDS __
Aperture: T1.9 - T22 T1.9 - T22 T1.9 - T22 __
Close Focus (2): 0.75 m / 2'6" 0.90 m / 3' 0.90 m / 3' __
Magnification Ratio (3): H: 1:22.2, V: 1: 11.1. H: 1:24.3, V: 1: 12.2 H: 1:19.6, V: 1: 9.8 __
Length (4): 183 mm / 7.2". 183 mm / 7.2" 183 mm / 7.2" __
Length (12): 235 mm / 9.3" 235 mm / 9.3" 235 mm / 9.3" __
Front Diameter (5): 95 mm / 3.7" 95 mm / 3.7" 95 mm / 3.7" __
Maximum Housing Diameter: 114 mm / 4.5" 114 mm / 4.5" 114 mm / 4.5" __
Weight (Kg): 2.6 2.7 2.6 __
Weight (lb): 5.7 6 5.7 __
Entrance Pupil (6) (mm) -171 -152 -137 __
Entrance Pupil (6) (inch) -6.75 -5.99 -5.38 __
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (7)
48__ - 21__ 41__ - 18__ 33__ - 14__ __
__ __ __ __ __
Name: Master Anamorphic MA 100/T1.9 Master Anamorphic MA 135/T1.9 Master Anamorphic MA 180/T1.9 __
Lens Mount (1): PL LDS PL LDS __ __
Aperture: T1.9 - T22 T1.9 - T22 T2.8 - T22 __
Close Focus (2): 0.95 m / 3'1'' 1.20 m / 3'11" 1.5 m / 5' __
Magnification Ratio (3): H: 1:14.7, V: 1: 7.4 H: 1:15.6, V: 1: 7.8 H: 1:15.9 V: 1:7.9 __
Length (4): 210 mm / 8.1'' 226 mm / 9.1" 226 mm / 9.1'' __
Length (12): 262 mm / 10.2'' 278 mm / 10.7" 278 mm / 10.7'' __
Front Diameter (5): 95 mm / 3.7" 95 mm / 3.7" 95 mm / 3.7" __
Maximum Housing Diameter: 114 mm / 4.5" 114 mm / 4.5" 114 mm / 4.5" __
Weight (Kg): 3.1 3.8 3,2 __
Weight (lb): 6.8 8.4 7.1 __
Entrance Pupil (6) (mm): -146 -129 -98 __
Entrance Pupil (6) (inch): -5.74 -5,09 -3,86 __
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (7)
25__ - 11__ 19__ - 8__ 14__ ___ 6__ __

__

(1)__Positive locking (PL) 54 mm stainless steel lens mount with Lens Data System (LDS) contacts

(2)__
Close focus is measured from the film/sensor plane
(3)
__Magnification ratio is the relationship of the size of an object on the film/sensor plane (first number) to the size of that object in real life (second number) at the close focus setting; Horizontal (H) and vertical (V)

(4)
__Length is measured from the lens mount to the front of the lens housing

(5)__
Diameter of the lens/matte box interface__

(6)
__The distance from the entrance pupil to the film/sensor plane at focus = infinity. Positive numbers indicated an entrance pupil behind, negative numbers indicated an entrance pupil in front the film/sensor plane.__The entrance pupil (often mistakenly called "nodal point") is the center of perspective; moving the camera/lens system around the center of the entrance pupil prevents parallax errors.__While largerly irrelevant for live action, this measurement is important for special effects work.

(7)__
The image diameter (ID) is the diameter of the image circle needed for the respective format. These lenses are designed for the largest ID given here.__

(8)__
Horizontal (H) and vertical (V) __angles of view for a Super 35 Cinemascope camera aperture (dimensions 22,5mm x 18,7mm / 0.8858" x 0.7362")

(12)
__Length is measured from the image to the front of the lens housing

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