{"title":"In-Stock Lens Deals","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eSave on select lenses, in stock and ready to ship.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"canon-cn-e-20-50mm-t2-4-lf-cinema-eos-zoom-lens-pl-mount","title":"Canon CN-E 20-50mm T2.4 LF Cinema EOS Zoom Lens (PL Mount) (*OPEN BOX*)","description":"\u003cp\u003eExpand your Canon cine-style lens choices with the full-frame CN-E 20-50mm T2.4 LF Cinema EOS Flex Zoom Lens. This PL mount lens is color matched to the rest of the EOS cine line, featuring a warm look with natural skin tones and accurate color rendition. The 20-50mm Flex Zoom and its 45-135mm counterpart both boast a fast T2.4 maximum aperture across their entire focal ranges, enabling low-light capture with the ease of a zoom lens.\u003c\/p\u003e\n\u003cp\u003eInterchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 2.5x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08 MOD gear placement and front diameter size suit the Flex zooms for use with industry-standard matte boxes and accessories. This PL-mount lens features Cooke i\/ metadata display and pass-through, enabling you to record information that is crucial to FX and post-production conforming.\u003c\/p\u003e\n\u003ch3\u003e8K Optical Performance\u003c\/h3\u003e\n\u003cp\u003eThese zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting.\u003c\/p\u003e\n\u003ch3\u003eConstant T2.4 Throughout Range\u003c\/h3\u003e\n\u003cp\u003eA constant T2.4 maximum aperture enables low-light capture throughout both the 20-50mm and the 45-135mm zooms' entire focal length range.\u003c\/p\u003e\n\u003ch3\u003eFull-Frame Sensor Coverage\u003c\/h3\u003e\n\u003cp\u003eThe Flex Zooms cover full-frame cinema camera sensors and are ideal for creating nuanced images with bokeh and shallow depth-of-field looks.\u003c\/p\u003e\n\u003ch3\u003eNatural Bokeh\u003c\/h3\u003e\n\u003cp\u003eAn 11-blade aperture creates natural-looking bokeh across the minimum to maximum aperture range and a gently diffused look when capturing subjects with a bright glow.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable Mounts\u003c\/h3\u003e\n\u003cp\u003eThe interchangeable-mount Flex zooms offer both Canon EF and ARRI PL mount options, enabling you to use them with a wide array of cine-style cameras.\u003c\/p\u003e\n\u003ch3\u003eCine-Style Form\u003c\/h3\u003e\n\u003cp\u003eConsistent gear placement, front-diameter size, and gear rotation ranges make it easy to switch between the 20-50 and 45-135mm Flex Zooms. Industry-standard 0.8 MOD gear rings, luminous focus marks, and a durable build make these compact zooms easy with which to work.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Metadata Support\u003c\/h3\u003e\n\u003cp\u003eCompatibility with Cooke i\/ metadata standards enables you to view and record lens metadata like focal length, focus distance, T-stop, and advanced functions like aberration and peripheral illumination correction.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40142408122470,"sku":"5726C002-OB","price":20442.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/1649753141_1700953__41959.jpg?v=1684596128"},{"product_id":"canon-cn-e-45-135mm-t2-4-lf-cinema-eos-zoom-lens-ef-mount","title":"Canon CN-E 45-135mm T2.4 LF Cinema EOS Zoom Lens (EF Mount) (*OPEN BOX*)","description":"\u003cp\u003eExpand your Canon cine-style lens choices with the full-frame CN-E 45-135mm T2.4 LF Cinema EOS Flex Zoom Lens. This EF-mount lens is color matched to the rest of the EOS cine line, featuring a warm look with natural skin tones and accurate color rendition. The 45-135mm Flex Zoom and its 20-50mm counterpart both boast a fast T2.4 maximum aperture across their entire focal ranges, enabling low-light capture with the ease of a zoom lens.\u003c\/p\u003e\n\u003cp\u003eInterchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 3x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08-MOD gear placement and front diameter size suit the Flex zooms for use with industry-standard matte boxes and accessories.\u003c\/p\u003e\n\u003ch3\u003e8K Optical Performance\u003c\/h3\u003e\n\u003cp\u003eThese zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting.\u003c\/p\u003e\n\u003ch3\u003eConstant T2.4 Throughout Range\u003c\/h3\u003e\n\u003cp\u003eA constant T2.4 maximum aperture enables low-light capture throughout both the 45-135mm and the 20-50mm zooms' entire focal length range.\u003c\/p\u003e\n\u003ch3\u003eFull-Frame Sensor Coverage\u003c\/h3\u003e\n\u003cp\u003eThe Flex Zooms cover full-frame cinema camera sensors and are ideal for creating nuanced images with bokeh and shallow depth-of-field looks.\u003c\/p\u003e\n\u003ch3\u003eNatural Bokeh\u003c\/h3\u003e\n\u003cp\u003eAn 11-blade aperture creates natural-looking bokeh across the minimum to maximum aperture range and a gently diffused look when capturing subjects with a bright glow.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable Mounts\u003c\/h3\u003e\n\u003cp\u003eThe interchangeable-mount Flex zooms offer both Canon EF and ARRI PL mount options, enabling you to use them with a wide array of cine-style cameras.\u003c\/p\u003e\n\u003ch3\u003eCine-Style Form\u003c\/h3\u003e\n\u003cp\u003eConsistent gear placement, front-diameter size, and gear rotation ranges make it easy to switch between the 20-50 and 45-135mm Flex Zooms. Industry-standard 0.8MOD gear rings, luminous focus marks, and a durable build make these compact zooms easy with which to work.\u003c\/p\u003e\n\u003cdiv class=\"title_vdXF96s7fO\"\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40142408155238,"sku":"5915C007-OB","price":20442.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/1649753141_1700954__10072.jpg?v=1684596127"},{"product_id":"dzofilm-vespid-100mm-t2-1-lens-pl-mount","title":"DZOFilm VESPID 100mm T2.1 Lens (PL Mount) (*OPEN BOX*)","description":"\u003cp\u003eRelatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The industry-standard PL mount allows you to use the lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm.\u003c\/p\u003e\n\u003cp\u003eThe 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 83° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThis 100mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.\u003c\/li\u003e\n\u003cli\u003eThe lens features metal construction to withstand the rigors of daily production.\u003c\/li\u003e\n\u003cli\u003eThe common 80mm front diameter allows for quick lens changes as you don't have to swap out antireflection donuts or adapters to use the same matte box.\u003c\/li\u003e\n\u003cli\u003eA minimum focusing distance of 2.3' allows you to get extremely close to your subject.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":40142441644134,"sku":"DZO-V10021PL","price":559.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/dzofilm_vespid_100mm_t2_1_lens_1604004490_1601847__74853.jpg?v=1684597007"},{"product_id":"irix-15mm-t2-6-cine-lens-canon-ef-imperial-feet","title":"IRIX 15mm T2.6 Cine Lens (Canon EF, Imperial Feet) (*OPEN BOX*)","description":"\u003ch2\u003eOVERVIEW\u003c\/h2\u003e \u003cul class=\"list_22p_DbxsLr4MV-m3EOA_5T\"\u003e \u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eCovers Full-Frame Sensor Size\u003c\/li\u003e \u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003e43.3mm Image Circle, Canon EF Mount\u003c\/li\u003e \u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eAperture Range: T2.6 to T22\u003c\/li\u003e \u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eLuminous Focus Marks in Feet\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThe IRIX 15mm T2.6 Cine Lens (Canon EF, Imperial Feet) is a fast, ultra-wide-angle lens, designed for a variety of lighting conditions. The lens combines functionality, stunning visuals, and outstanding performance with fully weather-sealed construction.\u003c\/p\u003e \u003cp\u003eIrix 15mm is an unique lens with short focal length, wide aperture, and excellent parameters which allow both amateur and professional cinematographers to discover new areas of creativity. \u003c\/p\u003e \u003cp\u003eDesigned for up to 8K cine-style image capture, the Canon EF-mount 15mm T2.6 Cine Lens from IRIX incorporates multiple internal and external design features. This compact 15mm lens will produce a classic wide-angle look and is compatible with full-frame 35, Super35, RED DRAGON 6K, ARRI ALEXA, APS-C, Micro Four Thirds, Super 16, and additional sensors. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1\/4\"-20 support foot.\u003c\/p\u003e \u003cp\u003eInternally, nine blades produce smooth, rounded bokeh, and four seals protect against inclement weather and dust. To help eliminate aberrations and distortion, the IRIX 15mm T2.6 Cine Lens is constructed with 15 optical elements including three HRI (high refractive index), two ED (extra-low dispersion), and two ASP (aspherical) elements. An adaptive focus ring delivers smooth focusing whether used manually or with a lens motor. This lightweight, aluminum\/magnesium alloy lens has 180° of focus and 75° of iris rotation, and an 86mm front filter thread. The Canon EF-mount 15mm T2.6 Cine Lens includes a lens hood in addition to front and rear caps.\u003c\/p\u003e \u003cp\u003eFeatures\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWide 15mm focal length with Canon EF lens mount\u003c\/li\u003e \u003cli\u003e43.3mm image circle covers up to full-frame format sensors\u003c\/li\u003e \u003cli\u003e9-blade iris for smooth, rounded bokeh\u003c\/li\u003e \u003cli\u003eCine-style 0.8 MOD geared focus and aperture rings\u003c\/li\u003e \u003cli\u003eHR and ED elements help reduce or eliminate spherical aberration\u003c\/li\u003e \u003cli\u003eIndustry-standard 95mm front diameter\u003c\/li\u003e \u003cli\u003eLuminous markings in feet\u003c\/li\u003e \u003cli\u003eSealed against rain and dust\u003c\/li\u003e \u003cli\u003eFocus ring adapts smoothly between manual and motor control\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"title_1tNQ83iPOOgJ6m5fVkxmSw\"\u003e \u003ch2 class=\"title1_17KKS47kFEQb7ynVBsRb_5 reset_gKJdXkYBaMDV-W3ignvsP 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data-selenium=\"specsItemGroupTableColumnValue\"\u003e\u003cspan\u003eLens Support Foot with 1\/4\"-20 Mounting Thread\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"pair_3u9fnESIQrtuEu6ye_zM4k\" data-selenium=\"specsItemGroupTableRow\"\u003e \u003ctd class=\"label_3bLwbW8ibvYc5tUwpKVQsL\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eLength\u003c\/td\u003e \u003ctd class=\"value_11Av1yGkVYn9TX48mQeu9v\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\u003cspan\u003e3.5\" \/ 89 mm\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"pair_3u9fnESIQrtuEu6ye_zM4k\" data-selenium=\"specsItemGroupTableRow\"\u003e \u003ctd class=\"label_3bLwbW8ibvYc5tUwpKVQsL\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eWeight\u003c\/td\u003e \u003ctd class=\"value_11Av1yGkVYn9TX48mQeu9v\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\u003cspan\u003e1.97 lb \/ 895 g\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e 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It covers an image circle of 45mm.\u003c\/p\u003e \u003cp\u003eIt is available in either PL, Canon EF, Canon RF, Sony E, and Panasonic L mounts.\u003c\/p\u003e \u003cp\u003eIt has industry-standard 0.8mm pitch gears on the focus and aperture ring. The lens design of the Meike 16mm T2.5 FF-Prime consists of sixteen elements in eleven groups. The aperture mechanism consists of 11 aperture blades. The minimum focus distance is 30cm.\u003c\/p\u003e","brand":"Meike","offers":[{"title":"Default Title","offer_id":40142502002790,"sku":"MK-FF16T25-PL","price":769.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/MK-FF16T25-E-16mm-E-Mount-side__06476.jpg?v=1684598473"},{"product_id":"schneider-optics-isco4all-lens-set","title":"Schneider Optics ISCO4all Lens Set (*OPEN BOX*)","description":"\u003ch2\u003eOVERVIEW\u003c\/h2\u003e \u003cp\u003eThe Schneider Optics ISCO4all Lens Set combines three stand-alone spherical cine primes and an anamorphic front adapter and is the world's first full frame lens set for both anamorphic and spherical storytelling.The adapter is an upgrade of the famous ISCORAMA 54, which is considered a true classic among anamorphic film fans. The three ISCOsphericals Cine Primes are made by the new manufacturer Dulens and have been modified for Schneider-Kreuznach to match the ISCORAMA-style. Further accessories complete the set, which comes along in a handy hard case.\u003c\/p\u003e","brand":"Schneider Optics","offers":[{"title":"Default Title","offer_id":40142563377254,"sku":"08-1101812","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/SK_13_KOFFER_SEITE_OFFEN_F__68834.jpg?v=1684600079"},{"product_id":"sigma-18-35mm-t2-high-speed-zoom-pl-mount","title":"Sigma 18-35mm T2 High-Speed Zoom (PL Mount) (*OPEN BOX*)","description":"\u003cp\u003eThe \u003cstrong\u003e\u003cspan\u003eSigma 18-35mm T2 Cine High-Speed Zoom Lens with PL Mount\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e combines a versatile wide-to-normal zoom range with a fast, constant \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eT2 aperture\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for professional Super 35 cinema production. Designed to cover \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuper 35mm-format sensors\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this high-speed zoom provides filmmakers with flexible framing and dependable low-light performance for narrative, commercial, documentary, and other demanding production environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lens maintains its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eT2 maximum aperture throughout the entire 18-35mm zoom range\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, eliminating aperture ramping as focal length changes. A \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e9-blade iris\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e produces rounded out-of-focus highlights and natural-looking bokeh, giving cinematographers additional creative control over depth of field and subject separation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBuilt around professional cinema operation, the focus barrel provides a generous \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e180° rotation from close focus to infinity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, allowing for precise focus adjustments and repeatable pulls. The zoom barrel offers \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e160° of rotation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while the clickless iris ring features \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e60° of rotation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for smooth exposure adjustments. The focus scale on this version is clearly marked in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efeet\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for familiar on-set operation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFocus, zoom, and iris rings are equipped with industry-standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e0.8 MOD cine gears\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making the lens ready for integration with follow-focus systems, lens motors, and other professional accessories. Gear positions are shared with the other lens in Sigma's High-Speed Zoom lineup, helping streamline lens changes without requiring extensive repositioning of accessories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e95mm front diameter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e supports integration with compatible matte boxes and production accessories. For additional stability when building out a cinema rig, the lens also features a removable \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1\/4\"-20 support foot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can be paired with a separately available rod-mounted lens support. Combining \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuper 35 coverage, an 18-35mm range, constant T2 aperture, PL mount, cine-standard gearing, and precise mechanical controls\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Sigma 18-35mm T2 Cine High-Speed Zoom is built for efficient professional filmmaking workflows.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eColor Balance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eAll the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.\u003c\/p\u003e\n\u003ch2\u003eDustproof and Splashproof Design\u003c\/h2\u003e\n\u003cp\u003eSharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports, each ring and mount is sealed to prevent water and dust from entering.\u003c\/p\u003e\n\u003ch2\u003eAll-Metal Body Construction\u003c\/h2\u003e\n\u003cp\u003eThe lens body is made completely of metal to stand up to the rigors of the production day.\u003c\/p\u003e\n\u003ch2\u003eLens Markings\u003c\/h2\u003e\n\u003cp\u003eThe main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.\u003c\/p\u003e\n\u003ch2\u003eLens Front\u003c\/h2\u003e\n\u003cp\u003eThe lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.\u003c\/p\u003e\n\u003ch2\u003eLens Gears\u003c\/h2\u003e\n\u003cp\u003eAll three lens gears are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.\u003c\/p\u003e\n\u003ch2\u003eSupport Foot\u003c\/h2\u003e\n\u003cp\u003eThe lens includes a removable support foot.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":40142577041510,"sku":"210968","price":3519.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/1490718908000_1327925__73949.jpg?v=1684600343"},{"product_id":"sigma-20mm-t1-5-ff-high-speed-art-prime-2-lens-with-i-technology-pl-mount-feet","title":"Sigma 20mm T1.5 FF High-Speed Art Prime 2 Lens with \/i Technology (PL Mount, Feet)","description":"\u003cp\u003eThe Sigma 20mm T1.5 FF High-Speed Art Prime 2 Lens with \/i Technology (PL Mount, Feet) combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke\/i Technology that provides lens metadata to assist in post and visual effects production. This 20mm prime with PL mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.\u003c\/p\u003e\n\u003cp\u003eA common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.\u003c\/p\u003e\n\u003ch3\u003eFull Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full-frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003ch3\u003eMarks in Feet\u003c\/h3\u003e\n\u003cp\u003eLens markings measured in feet\u003c\/p\u003e\n\u003ch3\u003eCooke \/i Technology\u003c\/h3\u003e\n\u003cp\u003eSupports Cooke \/i Technology that provides lens metadata\u003c\/p\u003e\n\u003ch3\u003eFast T1.5 Aperture\u003c\/h3\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003ch3\u003eCompact, Durable Design\u003c\/h3\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":40142582251622,"sku":"412974","price":3216.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/sigma_412974_20mm_t1_5_ff_for_1577099187_1527878__86021.jpg?v=1684600446"},{"product_id":"sigma-28mm-t1-5-ff-high-speed-art-prime-2-lens-with-i-technology-pl-mount-feet","title":"Sigma 28mm T1.5 FF High-Speed Art Prime 2 Lens with \/i Technology (PL Mount, Feet)","description":"\u003cp\u003eThe Sigma 28mm T1.5 FF High-Speed Art Prime 2 Lens with \/i Technology (PL Mount, Feet) combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design that includes Cooke \/i Technology that provides lens metadata to assist in post and visual effects production. This 28mm prime with a PL mount is a wider focal length in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, relatively lightweight form.\u003c\/p\u003e\n\u003cp\u003eA common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 MOD gear pitch, and engraved markings for durability.\u003c\/p\u003e\n\u003ch3\u003eFull Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full-frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003ch3\u003eMarks in Feet\u003c\/h3\u003e\n\u003cp\u003eLens markings measured in feet\u003c\/p\u003e\n\u003ch3\u003eCooke \/i Technology\u003c\/h3\u003e\n\u003cp\u003eSupports Cooke \/i Technology that provides lens metadata\u003c\/p\u003e\n\u003ch3\u003eFast T1.5 Aperture\u003c\/h3\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003ch3\u003eCompact, Durable Design\u003c\/h3\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":40142582317158,"sku":"441974","price":3216.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/sigma_441974_28mm_t1_5_ff_for_1577100145_1527880__84208.jpg?v=1684600448"},{"product_id":"venus-optics-laowa-24mm-t14-2x-periprobe-cine-lens-pl-mount","title":"Venus Optics Laowa 24mm T14 2X Periprobe Cine Lens (PL Mount)","description":"\n\u003cp\u003eThe Venus Optics Laowa 24mm T14 2X Periprobe Cine Lens (PL Mount) is a full-frame powerhouse inherits most of the renowned Laowa Probe lens characteristics but with a twist. It now comes with a 90° periscope-like front tip for creating formerly impossible shots and makes setups more flexible. The lens is also able to do 360° helix rotation to create one-of-a-kind motions. Furthermore, it has a 1\/4\" thread at the front for attaching accessories such as extra lighting or magic arms. It comes with Arri PL, Canon EF, Canon R, Nikon F, Nikon Z, Sony E and L mount.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e360° rotation\u003c\/li\u003e\n\u003cli\u003e0° \u0026amp; 90° interchangeable lens front\u003c\/li\u003e\n\u003cli\u003eExtra threaded tip (1\/4)\u003c\/li\u003e\n\u003cli\u003eBug-eye perspective\u003c\/li\u003e\n\u003cli\u003e2x magnification\u003c\/li\u003e\n\u003cli\u003eDeep depth of field\u003c\/li\u003e\n\u003cli\u003eLong \u0026amp; tubular lens barrel\u003c\/li\u003e\n\u003cli\u003eWaterproof barrel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMore Usage\u003c\/h3\u003e\n\u003cp\u003ePeriprobe is a very functional tool that frees your creativity. It is not barely poking into the water or sliding in and sliding out. 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With Periprobe, you could simply stick the lens tip to the ground.\u003c\/p\u003e\n\u003ch3\u003eFace Up and Face Down\u003c\/h3\u003e\n\u003cp\u003eWith 2x magnification, 85° wide AoV and close working distance, users could create a special close up face up and face down shot that other lenses cannot do.\u003c\/p\u003e\n\u003ch3\u003e45 Degree Tilt-Up\u003c\/h3\u003e\n\u003cp\u003eTilting up is never a rare perspective you can see in galleries. However, shooting something very small and close to the ground is nearly impossible without a Periprobe as the camera is always a big hindrance. Users can now capture from a looking up bug-eye perspective.\u003c\/p\u003e\n\u003ch3\u003eTravel Through Tight Space\u003c\/h3\u003e\n\u003cp\u003eIt is nearly impossible to travel between objects that are close to each other unless you make a complicated mechanism with programs to move the objects back and forward to prevent collision. It is very time consuming and a pain for videographers to have these pre-shoot preparations. 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The major calling card of this lens is the fast f\/1.4 aperture, granting users excellent control over depth of field and the ability to work in less-than-ideal lighting conditions. Along with this, the lens incorporates a glass-molded aspherical element into the optical design to minimize astigmatism, coma, and other aberrations. Additionally, it has a nine-blade circular diaphragm for smooth bokeh.\u003c\/p\u003e\n\u003cp\u003eOptimized for intuitive handling, the 35mm features an Auto Clutch mechanism that prevents the focusing ring from moving when the lens is set to autofocus. It also has a focus hold button on the barrel for quickly accessing certain settings. 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This complete kit includes the Remus 45mm, 65mm, and 100mm T2.0 anamorphic prime lenses, all housed in a custom protective case for safe transport and storage.\u003c\/p\u003e\n\u003cp\u003eEach cine-style Remus lens supports full-frame capture with 1.5x anamorphic squeeze and 3:2 full-frame de-squeeze, producing striking oval bokeh and signature blue anamorphic flares for a distinctly retro cinematic aesthetic. With a fast T2.0 maximum aperture, 0.8 MOD focus and iris gears, 80mm front diameter, and 77mm filter thread, the lenses are designed for smooth operation and seamless integration into professional production workflows—making this kit an excellent choice for narrative, commercial, and stylized filmmaking.\u003c\/p\u003e","brand":"BLAZAR","offers":[{"title":"Default Title","offer_id":44276150239334,"sku":"RE-3L-PLB-EF-DEMO","price":2239.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/blazar_lens_re_3l_pla_remus_t2_0_1_5x_full_1707413437_1808834.jpg?v=1767732962"},{"product_id":"arri-24-75mm-t2-8-signature-zoom-lens-with-lpl-mount-feet-demo-unit","title":"ARRI 24-75mm T2.8 Signature Zoom Lens with LPL Mount (Feet) (* DEMO UNIT *)","description":"\u003cp\u003eThe ARRI 24-75mm T2.8 Signature Zoom Lens with LPL Mount (Feet) is designed to seamlessly match the look and feel of ARRI’s Signature Prime range while delivering beautifully organic imagery across a versatile zoom range. Covering formats from Super 35 to full-frame large format, it offers exceptional flexibility for modern cinema productions.\u003c\/p\u003e\n\u003cp\u003eEngineered for premium image quality, the 24–75mm features controlled flaring for HDR compatibility and a lower contrast profile that preserves detail in shadowed areas. A constant T2.8 maximum aperture is maintained throughout the entire zoom range, eliminating exposure ramping during zooms and ensuring consistent lighting and depth of field—making it an ideal choice for high-end narrative, commercial, and broadcast workflows.\u003c\/p\u003e\n\u003cp\u003eThis mid-length 24-75mm zoom is one of four Signature Zooms that together offer a range of 16-510mm (when used with the 1.7x extender), the widest focal length range in the pro cine industry. Like the Signature primes, each of the zoom lenses gently softens the large-format look, producing pleasant, natural skin tones and rounded bokeh. Focus falls off smoothly, highlighting your subject against its background frame. This zoom lens is compatible with the ARRI LDS-2 lens data system, speeding your lens setups and offering high lens metadata rates for streamlined post-production.\u003c\/p\u003e\n\u003cp\u003eFor custom diffusion looks, this 24-75mm zoom can be paired with the separately available Signature Prime rear net holder to add stockings, nets, or voile for custom diffusion looks. Each Signature Zoom is constructed with a lightweight and durable magnesium housing with this 24-75mm zoom featuring focus marks in feet. Antireflective coatings, light baffles, and light traps help minimize any internal barrel flare. 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It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.\u003c\/p\u003e\n\u003ch3\u003eAnamorphic Cinema Lens\u003c\/h3\u003e\n\u003cp\u003eThis prime lens has a short minimum focus distance of 27.5\" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and silver color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread.\u003c\/p\u003e\n\u003cp\u003eThe Leica L lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.\u003c\/p\u003e\n\u003ch3\u003eConstant 1.5x Squeeze Ratio\u003c\/h3\u003e\n\u003cp\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. 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