{"title":"Featured","description":"","products":[{"product_id":"red-digital-cinema-komodo-6k-digital-cinema-camera-canon-rf","title":"RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF)","description":"\u003cp\u003eRED has taken fresh steps with the release of the RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF) by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4\". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. The KOMODO firmware update v.1.4.0 adds Beta support for Canon RF lenses, perfect complements to this lightweight and compact camera. Note that the RF lenses' Control Ring and Focus Range switch are not supported. Firmware v.1.4.0 also adds support for ARRI-edition Angelbird 256GB CFast 2.0 cards, RCP2 (RED Command Protocol), and Ethernet zeroconf (local-link IP addresses). Multiple bug fixes are also addressed with v.1.4.0.\u003c\/p\u003e\n\u003cp\u003eRevolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB\/s. A top 2.9\" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4\/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.\u003c\/p\u003e\n\u003cp\u003eThe use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.\u003c\/p\u003e\n\u003cp\u003eA first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.\u003c\/p\u003e\n\u003cp\u003eGetting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.\u003c\/p\u003e\n\u003cp\u003eBeing a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock\/timecode\/GPIO\/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots which can be hot-swapped for practically unlimited recording in the field.\u003c\/p\u003e\n\u003cp\u003eThe RED KOMODO 6K certainly impresses with a complete all-in-one cinema camera solution in an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.\u003c\/p\u003e\n\u003ch3\u003eFirmware Update v.1.4.0\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSupport for Canon RF lenses (RF lenses’ Control Ring and Focus Range switch are not supported)\u003c\/li\u003e\n\u003cli\u003eSupport for ARRI-edition Angelbird 256GB CFast 2.0 cards\u003c\/li\u003e\n\u003cli\u003eSupport for RCP2 (RED Command Protocol)\u003c\/li\u003e\n\u003cli\u003eSupport for Ethernet Zeroconf (Local-Link IP address)\u003c\/li\u003e\n\u003cli\u003eMultiple bug fixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e6K S35 Sensor\u003c\/h3\u003e\n\u003cp\u003e6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160\u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO 6K's global shutter produces crisp images while reducing motion artifacts\u003c\/p\u003e\n\u003ch3\u003eCompact Form, Versatile Power\u003c\/h3\u003e\n\u003cp\u003eWeighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply\u003c\/p\u003e\n\u003ch3\u003eCFast Recording\u003c\/h3\u003e\n\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards\u003c\/p\u003e\n\u003ch3\u003eREDCODE RAW\u003c\/h3\u003e\n\u003cp\u003eThe robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time\u003c\/p\u003e\n\u003ch4\u003eREDCODE Options\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eHQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion\u003c\/li\u003e\n\u003cli\u003eMQ is great for cinema and high-end TV projects\u003c\/li\u003e\n\u003cli\u003eLQ is ideal for TV, online content, documentaries, interviews, and long takes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApple ProRes Formats\u003c\/h3\u003e\n\u003cp\u003eFor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)\u003c\/p\u003e\n\u003ch3\u003eColor Management\u003c\/h3\u003e\n\u003cp\u003eSupports 3D LUTs and RED color science\u003c\/p\u003e\n\u003ch3\u003eTouchscreen Display\u003c\/h3\u003e\n\u003cp\u003eIntegrated 2.9\" touchscreen LCD screen for video preview and camera control\u003c\/p\u003e\n\u003cdiv class=\"title_1tNQ83iPOOgJ6m5fVkxmSw\"\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":40142749171814,"sku":"710-0333","price":2995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/red_digital_cinema_710_0333_komodo_6k_digital_cinema_1602593121_1598390__74892.jpg?v=1684605233"},{"product_id":"arri-alexa-35-body-arri-lpl-mount-set","title":"ARRI ALEXA 35 Body \u0026 ARRI LPL Mount Set","description":"\u003cp\u003eThe ARRI ALEXA 35 Body \u0026amp; ARRI LPL Mount Set combines the ALEXA 35 camera with a Cine License, an LPL mount and a PL to LPL adapter, a B-mount battery plate, and a BUD-1 Utility Dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX\/ARRIRAW and MFX\/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.\u003c\/p\u003e\n\u003cp\u003eThe ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports.\u003c\/p\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eK1.0039373 1x ALEXA 35 camera body\u003c\/li\u003e\n\u003cli\u003e10.0043678 1x ALEXA 35 Cine License\u003c\/li\u003e\n\u003cli\u003eK2.0034180 1x Balance Utility Dovetail BUD-1\u003c\/li\u003e\n\u003cli\u003eK2.0023751 1x B-Mount Battery Adapter\u003c\/li\u003e\n\u003cli\u003eK2.0018983 1x ARRI LPL Mount (LBUS)\u003c\/li\u003e\n\u003cli\u003eK2.0016936 1x ARRI PL-to-LPL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSuper35 ARRI ALEV 4 CMOS Sensor\u003c\/h3\u003e\n\u003cp\u003eKey to the ALEXA 35's amazing image quality is a new Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.\u003c\/p\u003e\n\u003ch3\u003eVideo Recording Formats\u003c\/h3\u003e\n\u003cp\u003eIn-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.\u003c\/p\u003e\n\u003ch3\u003eStray Light Suppression\u003c\/h3\u003e\n\u003cp\u003eStray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.\u003c\/p\u003e\n\u003ch3\u003eHigh ISO Camera\u003c\/h3\u003e\n\u003cp\u003eWith an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.\u003c\/p\u003e\n\u003ch3\u003eREVEAL Color Science\u003c\/h3\u003e\n\u003cp\u003eCreated with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA new debayering algorithm combines with the ALEXA 35's impressive processing power to create cleaner-edged images that are perfect for compositing work.\u003c\/li\u003e\n\u003cli\u003eThe new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.\u003c\/li\u003e\n\u003cli\u003eThe AWG4 camera color space is larger than Rec. 2020 but bypasses \"virtual\" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.\u003c\/li\u003e\n\u003cli\u003eA new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.\u003c\/li\u003e\n\u003cli\u003eNew LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.\u003c\/li\u003e\n\u003cli\u003eThe ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVersatile Lens Choices\u003c\/h3\u003e\n\u003cp\u003eThis PL Mount Set comes with an LBUS PL mount, providing compatibility with a wide array of cine-style lenses. Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options. The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.\u003c\/p\u003e\n\u003ch3\u003eFull Feature Set in a Compact Form\u003c\/h3\u003e\n\u003cp\u003eAt 8 x 6 x 5.8\", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.\u003c\/p\u003e\n\u003ch3\u003eInterfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLeft display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display \"screensaver\", creating a quick visual reminder for any stop compensation needed.\u003c\/li\u003e\n\u003cli\u003eConnectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5\/3\/6\/12G-SDI outputs with a return option on the second one, timecode in\/out, and both 12 and 24V accessory output ports.\u003c\/li\u003e\n\u003cli\u003eEthernet: An Ethernet port offers real-time streaming of metadata for use in mixed reality productions (MRP).\u003c\/li\u003e\n\u003cli\u003eAudio: The ALEXA 35 audio options include two internal microphones like the ALEXA Mini LF, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDedicated Accessories\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAccessories in this PL Mount Set include the BUD-1 Balance Utility Dovetail and a B-Mount Battery Adapter.\u003c\/li\u003e\n\u003cli\u003eSeparately available electronic accessory options include the Multi Viewfinder MVF-2, the PDM-1 power distribution module, and the AEM-1 audio extension module with one AES3\/AES42 and two mic\/line mini-XLR inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e24V B-Mount Battery Power\u003c\/h3\u003e\n\u003cp\u003eThe 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. The separately available PDM-1 Power Distribution Module can be used to add seven more accessory power ports.\u003c\/p\u003e\n\u003ch3\u003eARRI Tools and Apps\u003c\/h3\u003e\n\u003cp\u003eMake both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files, for SDR and HDR conversions, and to export Apple ProRes, OpenEXR, and TIFF files.\u003c\/p\u003e","brand":"ARRI","offers":[{"title":"Default Title","offer_id":40142753300582,"sku":"K0.0041724","price":78550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/products\/1653997633_1708575__77302.jpg?v=1684605596"},{"product_id":"canon-cn-e-flex-zoom-14-35mm-t1-7-super35-cinema-eos-lens-ef-mount-6154c007","title":"Canon CN-E Flex Zoom 14-35mm T1.7 Super35 Cinema EOS Lens (EF Mount)","description":"\u003cp\u003eDesigned for the pursuit of cinematic beauty, the Canon CN-E Flex Zoom 14-35mm T1.7 Super35 Cinema EOS Lens (EF Mount) achieves superb 8K optical performance while maintaining the style and ease-of-use of Canon’s Cinema lens series. Ideal for shooting movies, television dramas, commercials, and a wide range of other video content, the lenses maintain a bright T1.7 aperture1 across their zoom ranges, enabling operators to create powerful, shallow depth-of-field shots.\u003c\/p\u003e\n\u003cp\u003eInterchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 2.5x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08 MOD gear placement and front diameter size suit the Flex Zooms for use with industry-standard matte boxes and accessories. This EF-mount lens features Cooke i\/ metadata display and pass-through, enabling you to record information that is crucial to FX and post-production conforming.\u003c\/p\u003e\n\u003ch3\u003e8K Optical Performance\u003c\/h3\u003e\n\u003cp\u003eThe Flex Zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting.\u003c\/p\u003e\n\u003ch3\u003eConstant T1.7 Throughout Range\u003c\/h3\u003e\n\u003cp\u003eA constant T1.7 maximum aperture enables low-light capture throughout the zoom's entire focal length range.\u003c\/p\u003e\n\u003ch3\u003eSupe35 Sensor Coverage\u003c\/h3\u003e\n\u003cp\u003eThe 14-35mm Flex Zoom covers Super35 cinema camera sensors and is ideal for creating nuanced images with bokeh and shallow depth-of-field looks.\u003c\/p\u003e\n\u003ch3\u003eOptional Full-Frame Relay Kit\u003c\/h3\u003e\n\u003cp\u003eUse with the optional RL-F1 Relay Kit to convert the 14-35mm Super35 Flex Zoom to a 20-50mm T2.4 Full-Frame equivalent lens.\u003c\/p\u003e\n\u003ch3\u003eNatural Bokeh\u003c\/h3\u003e\n\u003cp\u003eAn 11-blade aperture creates natural-looking bokeh across the minimum to maximum aperture range and a gently diffused look when capturing subjects with a bright glow.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable Mounts\u003c\/h3\u003e\n\u003cp\u003eThe interchangeable-mount Flex zooms offer both Canon EF and ARRI PL mount options, enabling you to use them with a wide array of cine-style cameras.\u003c\/p\u003e\n\u003ch3\u003eCine-Style Form\u003c\/h3\u003e\n\u003cp\u003eConsistent gear placement, front-diameter size, and gear rotation ranges make it easy to switch between the Flex Zooms. Industry-standard 0.8 MOD gear rings, luminous focus marks, and a durable build make these compact zooms easy with which to work.\u003c\/p\u003e\n\u003cdiv class=\"title_PCPNqBQRJv\"\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40175824109670,"sku":"6154C007","price":24050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1680597950_1761234__19030.jpg?v=1689125433"},{"product_id":"canon-cn-e-flex-zoom-14-35mm-t1-7-super35-cinema-eos-lens-pl-mount-6154c002","title":"Canon CN-E Flex Zoom 14-35mm T1.7 Super35 Cinema EOS Lens (PL Mount)","description":"\u003cp\u003eDesigned for the pursuit of cinematic beauty, the Canon CN-E Flex Zoom 14-35mm T1.7 Super35 Cinema EOS Lens (PL Mount) achieves superb 8K optical performance while maintaining the style and ease-of-use of Canon’s Cinema lens series. Ideal for shooting movies, television dramas, commercials, and a wide range of other video content, the lenses maintain a bright T1.7 aperture across their zoom ranges, enabling operators to create powerful, shallow depth-of-field shots.\u003c\/p\u003e\n\u003cp\u003eInterchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 2.5x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08 MOD gear placement and front diameter size suit the Flex Zooms for use with industry-standard matte boxes and accessories. This EF-mount lens features Cooke i\/ metadata display and pass-through, enabling you to record information that is crucial to FX and post-production conforming.\u003c\/p\u003e\n\u003ch3\u003e8K Optical Performance\u003c\/h3\u003e\n\u003cp\u003eThe Flex Zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting.\u003c\/p\u003e\n\u003ch3\u003eConstant T1.7 Throughout Range\u003c\/h3\u003e\n\u003cp\u003eA constant T1.7 maximum aperture enables low-light capture throughout the zoom's entire focal length range.\u003c\/p\u003e\n\u003ch3\u003eSupe35 Sensor Coverage\u003c\/h3\u003e\n\u003cp\u003eThe 14-35mm Flex Zoom covers Super35 cinema camera sensors and is ideal for creating nuanced images with bokeh and shallow depth-of-field looks.\u003c\/p\u003e\n\u003ch3\u003eOptional Full-Frame Relay Kit\u003c\/h3\u003e\n\u003cp\u003eUse with the optional RL-F1 Relay Kit to convert the 14-35mm Super35 Flex Zoom to a 20-50mm T2.4 Full-Frame equivalent lens.\u003c\/p\u003e\n\u003ch3\u003eNatural Bokeh\u003c\/h3\u003e\n\u003cp\u003eAn 11-blade aperture creates natural-looking bokeh across the minimum to maximum aperture range and a gently diffused look when capturing subjects with a bright glow.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable Mounts\u003c\/h3\u003e\n\u003cp\u003eThe interchangeable-mount Flex zooms offer both Canon EF and ARRI PL mount options, enabling you to use them with a wide array of cine-style cameras.\u003c\/p\u003e\n\u003ch3\u003eCine-Style Form\u003c\/h3\u003e\n\u003cp\u003eConsistent gear placement, front-diameter size, and gear rotation ranges make it easy to switch between the Flex Zooms. Industry-standard 0.8 MOD gear rings, luminous focus marks, and a durable build make these compact zooms easy with which to work.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40175824273510,"sku":"6154C002","price":24050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1680597950_1761235__65553.jpg?v=1689125435"},{"product_id":"red-digital-cinema-v-raptor-x-8k-vv-camera-v-mount","title":"RED DIGITAL CINEMA V-RAPTOR [X] 8K VV Camera (V-Mount)","description":"\u003cp\u003eThe RED DIGITAL CINEMA V-RAPTOR X 8K VV Camera (V-Mount) combines the strengths of RED's two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-Raptor line combined with the global shutter advancements of KOMODO, the V-RAPTOR X 8K VV sensor is the culmination of the latest advancements in digital camera image making. Using RED's newest 8K VV sensor, V-RAPTOR X leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 4lbs.\u003c\/p\u003e\n\u003ch3\u003eNew Large-Format Standard\u003c\/h3\u003e\n\u003cp\u003eThis first large-format global shutter camera is built around the same key features of the original V-RAPTOR, including a locking Canon RF lens mount, two unique 12G-SDI monitoring outputs, and dual CFexpress Type B card slots that support up to 8K120 capture. The V-RAPTOR [X] 8K VV also features a redesigned sensor cavity that mitigates stray light and improves contrast, plus improved in-camera audio preamps.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\u003cp\u003eWith the V-RAPTOR [X] 8K VV, RED has introduced its Global Vision suite of tools that uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process. These tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with the aid of a greenscreen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR [X] 8K VV uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, RED Connect for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more.\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":40735937429606,"sku":"710-0390","price":29995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1706190065_1807129__11356.jpg?v=1707760844"},{"product_id":"dji-rs-4-pro-gimbal-stabilizer-combo","title":"DJI RS 4 Pro Gimbal Stabilizer Combo","description":"\u003cp\u003eThe DJI RS 4 Pro is the expansive flagship stabilizer that integrates seamlessly with the DJI Focus Pro lens control system, DJI Transmission, and an extensive control ecosystem. This synergy empowers the film and television industry with a full-scale production solution that unites stabilization, transmission, monitoring, focusing, and control. It broadens the horizons of creative possibilities, enabling cinematographers to harness their full potential and showcase their skills.The combo includes a Focus Pro Motor with a rod mount kit, a Ronin Image Transmitter, a focus gear strip, a briefcase handle, and a carrying case. Teflon-coated axes reduce friction for a smoother balancing and operating experience. Other intuitive features include a fine-tuning knob, auto-locking OLED screen, and RSA communication port for use with expanded accessories.\u003c\/p\u003e\n\u003ch3\u003eSecond-Generation Quick Release Plate Design\u003c\/h3\u003e\n\u003cp\u003eWith the familiar dual-layered quick release plates of its predecessor, the RS 4 makes mounting and balancing your camera a breeze. The horizontal plate is newly designed for faster transitions to native vertical shooting. A fine-tuning knob adjusts the tilt axis to move your camera forward or backward. The upper plate has added placement guides for secure camera mounting.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eFor a full list of compatible cameras, please see the most current compatibility information on the DJI website.\u003c\/p\u003e\n\u003ch3\u003eSecond-Generation Automated Axis Locks\u003c\/h3\u003e\n\u003cp\u003eWhen the gimbal is powered off, you can press and hold the power button, and the three axes unlock while the gimbal expands automatically, allowing you to start working in just two seconds. Press the power button once, and the axes automatically lock and enter sleep mode, making a move or storage significantly more efficient. The second iteration of this design has created smaller gaps when locked to further reduce gimbal shake.\u003c\/p\u003e\n\u003ch3\u003eRSA Communication Port\u003c\/h3\u003e\n\u003cp\u003eThe RSA communication port allows you to integrate Ronin series accessories into your gimbal configuration. Add Ronin-specific or third-party accessories with control capabilities to switch between different shooting configurations. The DJI RS SDK protocol will allow third-party manufacturers and other developers to create future customized functions for the RS 4.\u003c\/p\u003e\n\u003ch3\u003eWireless Shutter Control\u003c\/h3\u003e\n\u003cp\u003eBy implementing Dual-Mode Bluetooth, the RS 4 Pro supports wireless shutter control, saving time and effort with every use. After the initial Bluetooth pairing, you can control video and photo shooting by simply pressing the record button on the stabilizer. Previously paired cameras can automatically reconnect after the first use, eliminating the need for a camera control cable.\u003c\/p\u003e\n\u003ch3\u003eUpdated ActiveTrack Pro\u003c\/h3\u003e\n\u003cp\u003eTracking on the Ronin series has never been more accurate or responsive. The next-generation ActiveTrack Pro can directly read images from the camera built into the Focus Pro LiDAR Autofocus, with no need for the Ronin Image Transmitter. When using ActiveTrack Pro, you can directly monitor or frame the subject on the RS 4 Pro's OLED touchscreen. The new optional LiDAR unit can project 76,800 ranging points within a 20-meter area.\u003c\/p\u003e\n\u003ch3\u003eIntegrated Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBy simply sliding the new gimbal mode switch, you can alternate between Pan follow, Pan and Tilt follow, and FPV modes. The FPV mode selection is also customizable to 3D Roll 360, Portrait, or Custom, allowing you to adjust your equipment and get started as fast as possible. Other intelligent features include motion-lapse, track, and panorama.\u003c\/li\u003e\n\u003cli\u003eThe trigger button can be customized to FPV mode, which causes the three axes to follow the direction of the grip's movement when held down.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCar Mount Mode\u003c\/h3\u003e\n\u003cp\u003eThe new car mount mode optimizes stabilization specifically to accommodate vehicle vibrations and wind resistance for steady capture.\u003c\/p\u003e\n\u003ch3\u003eFourth-Gen RS Stabilization Algorithm\u003c\/h3\u003e\n\u003cp\u003eEmpowered by a next-generation stabilization algorithm, the RS 4 Pro provides enhanced stability over the RS 3, effortlessly managing vertical shooting, fast-paced movements, and low-angle shots. The motor torque on all three axes has been increased by 20% for greater power.\u003c\/p\u003e\n\u003ch3\u003eAuto-Locking OLED Screen\u003c\/h3\u003e\n\u003cp\u003eThe RS 4 Pro is equipped with a fixed OLED touchscreen with a new auto-lock feature. Once locked, the screen will display the current gimbal and joystick moves at a low brightness to prevent accidental switching and conserve battery.\u003c\/p\u003e\n\u003ch3\u003eIntegrated Monitoring and Control\u003c\/h3\u003e\n\u003cp\u003eRemotely adjust camera exposure directly in the Ronin app, or control the gimbal with the virtual joystick to get an integrated monitoring and control experience. With the Ronin Image Transmitter, a smartphone can be used as a motion controller to remotely control the RS 4 Pro gimbal for more flexible and dynamic camera movements.\u003c\/p\u003e\n\u003ch3\u003eEnhanced Battery and Fast Charging\u003c\/h3\u003e\n\u003cp\u003eThe RS 4 Pro battery grip features a cartridge design, making it easier to swap batteries and smaller for storage. It can even be charged separately from the gimbal. The new battery grip provides an extended runtime of up to 13 hours, enough for continuous shooting all day. It supports 18W PD fast charging with a charge time of just 1.5 hours. It can even be used while charging to keep RS 4 Pro powered almost indefinitely.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":41053017866342,"sku":"CP.RN.00000346.01","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1712652359_1816789.jpg?v=1712679667"},{"product_id":"dji-rs-4-gimbal-stabilizer-combo","title":"DJI RS 4 Gimbal Stabilizer Combo","description":"\u003cp\u003eThe DJI RS 4 Gimbal Stabilizer is a lightweight commercial stabilizer supports next-generation native vertical shooting with enhanced operation efficiency, improved stabilization performance, and an upgraded accessory ecosystem. It empowers solo cinematographers with a more professional and efficient creative experience and the toolset to tell gripping visual stories. The combo includes a Focus Pro Motor with a rod mount kit, a focus gear strip, a briefcase handle, and a carrying case. Teflon-coated axes reduce friction for a smoother balancing and operating experience. Other intuitive features include a fine-tuning knob, auto-locking OLED screen, and RSA communication port for use with expanded accessories.\u003c\/p\u003e\n\u003ch3\u003eSecond-Generation Quick Release Plate Design\u003c\/h3\u003e\n\u003cp\u003eWith the familiar dual-layered quick release plates of its predecessor, the RS 4 makes mounting and balancing your camera a breeze. The horizontal plate is newly designed for faster transitions to native vertical shooting. A fine-tuning knob adjusts the tilt axis to move your camera forward or backward. The upper plate has added placement guides for secure camera mounting.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eFor a full list of compatible cameras, please see the most current compatibility information on the DJI website.\u003c\/p\u003e\n\u003ch3\u003eSecond-Generation Automated Axis Locks\u003c\/h3\u003e\n\u003cp\u003eWhen the gimbal is powered off, you can press and hold the power button, and the three axes unlock while the gimbal expands automatically, allowing you to start working in just two seconds. Press the power button once, and the axes automatically lock and enter sleep mode, making a move or storage significantly more efficient. The second iteration of this design has created smaller gaps when locked to further reduce gimbal shake.\u003c\/p\u003e\n\u003ch3\u003eRSA Communication Port\u003c\/h3\u003e\n\u003cp\u003eThe RSA communication port allows you to integrate Ronin series accessories into your gimbal configuration. Add Ronin-specific or third-party accessories with control capabilities to switch between different shooting configurations. The DJI RS SDK protocol will allow third-party manufacturers and other developers to create future customized functions for the RS 4.\u003c\/p\u003e\n\u003ch3\u003eWireless Shutter Control\u003c\/h3\u003e\n\u003cp\u003eBy implementing Dual-Mode Bluetooth, the RS 4 supports wireless shutter control, saving time and effort with every use. After the initial Bluetooth pairing, you can control video and photo shooting by simply pressing the record button on the stabilizer. Previously paired cameras can automatically reconnect after the first use, eliminating the need for a camera control cable.\u003c\/p\u003e\n\u003ch3\u003eNew DJI Focus Pro Motor\u003c\/h3\u003e\n\u003cp\u003ePair the RS 4 with the new Focus Pro Motor using the designated USB-C port. The motor features a 30% increased speed and allows you to focus your lens via dial and zoom via joystick.\u003c\/p\u003e\n\u003ch3\u003eIntegrated Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBy simply sliding the new gimbal mode switch, you can alternate between Pan follow, Pan and Tilt follow, and FPV modes. The FPV mode selection is also customizable to 3D Roll 360, Portrait, or Custom, allowing you to adjust your equipment and get started as fast as possible. Other intelligent features include motion-lapse, track, and panorama.\u003c\/li\u003e\n\u003cli\u003eThe trigger button can be customized to FPV mode, which causes the three axes to follow the direction of the grip's movement when held down.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFourth-Gen RS Stabilization Algorithm\u003c\/h3\u003e\n\u003cp\u003eEmpowered by a next-generation stabilization algorithm, the RS 4 provided enhanced stability over the RS 3, effortlessly managing vertical shooting, fast-paced movements, and low-angle shots.\u003c\/p\u003e\n\u003ch3\u003eAuto-Locking OLED Screen\u003c\/h3\u003e\n\u003cp\u003eThe RS 4 is equipped with a fixed OLED touchscreen with a new auto-lock feature. Once locked, the screen will display the current gimbal and joystick moves at a low brightness to prevent accidental switching and conserve battery.\u003c\/p\u003e\n\u003ch3\u003eIntegrated Monitoring and Control\u003c\/h3\u003e\n\u003cp\u003eRemotely adjust camera exposure directly in the Ronin app, or control the gimbal with the virtual joystick to get an integrated monitoring and control experience. With the Ronin Image Transmitter, a smartphone can be used as a motion controller to remotely control the RS 4 gimbal for more flexible and dynamic camera movements.\u003c\/p\u003e\n\u003ch3\u003eEnhanced Battery and Fast Charging\u003c\/h3\u003e\n\u003cp\u003eThe RS 4 battery grip features a cartridge design, making it easier to swap batteries and smaller for storage. It can even be charged separately from the gimbal. The new battery grip provides an extended runtime of up to 12 hours, enough for continuous shooting all day. It supports 18W PD fast charging with a charge time of just 2.5 hours. It can even be used while charging to keep RS 4 powered almost indefinitely.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":41053105848422,"sku":"CP.RN.00000344.01","price":609.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1712652359_1816793.jpg?v=1712679851"},{"product_id":"dji-focus-pro-all-in-one-combo","title":"DJI Focus Pro All-In-One Combo","description":"\u003cp\u003eThe DJI Focus Pro is DJI's first independent Automated Manual Focus (AMF) lens control system, provides cinematographers with a robust and comprehensive focus solution, ushering in a new era of human-machine collaborative focus control. The DJI Focus Pro All-In-One Combo equips you with all the tools you need to achieve precise FIZ control over your manual camera lens. The combo includes a LiDAR unit, Focus Pro Motor, Focus Pro Grip, and a hand unit for more accurate, distant, and intelligent autofocus. A carrying case holds all the components for travel to your next shoot.\u003c\/p\u003e\n\u003ch3\u003eDJI Focus Pro LiDAR\u003c\/h3\u003e\n\u003cp\u003eDesigned for both the RS 3 Pro and RS 4 Pro gimbal stabilizers, the DJI Focus Pro LiDAR unit makes achieving intelligent autofocus intuitive and easy for solo cinematographers. The rangefinder unit makes focusing on objects in motion a breeze thanks to its expanded 76,800 ranging points, 30 Hz refresh rate, and 65.6' maximum detection area. This allows it to support both wide-angle and telephoto lens configurations.\u003cbr\u003e\u003cbr\u003eThe unit features a built-in camera with an equivalent 30mm focal length and 70° field of view to ensure accurate focus. Toggle between wide-angle, telephoto, and focus spot modes depending on the needs of your shoot. ActiveTrack Pro is activated when paired with the RS 4 Pro gimbal for improved recognition and tracking performance with multiple subjects or subjects at a distance. It is compatible with the Focus Pro Motor to provide accurate cinema-style autofocus. The LiDAR unit mounts on your RS 3 or 4 Pro series gimbal or camera via cold shoe or 1\/4\"-20 thread, and it is powered via a USB-C power cable.\u003c\/p\u003e\n\u003ch4\u003eAutofocus\u003c\/h4\u003e\n\u003cp\u003eWhen paired with the Focus Pro Motor, the LiDAR unit can facilitate autofocus with compatible lenses. The unit's 76,800 ranging points can project within a 1.6 to 65.6' area. It also features a built-in camera with an equivalent focal length of 30mm and a wide FOV of 70°, catering to the focusing needs of most scenarios.\u003c\/p\u003e\n\u003ch4\u003eUpdated AutoTrack Pro\u003c\/h4\u003e\n\u003cp\u003eThe next-generation ActiveTrack Pro can directly read images from the camera built into the Focus Pro LiDAR Autofocus without needing the Ronin Image Transmitter. When using ActiveTrack Pro, you can directly monitor or frame the subject on the RS 4 Pro's OLED touchscreen. Even if the target is briefly obscured, the LiDAR unit can quickly relocate and retain focus.\u003c\/p\u003e\n\u003ch4\u003eIntuitive Modes\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eTracking: Recognize up to five subjects at the same time and select one to follow\u003c\/li\u003e\n\u003cli\u003eSmart Object Identification: Human and vehicle\u003c\/li\u003e\n\u003cli\u003eFlex Spot: Activate focus lock by framing the subject and pressing the gimbal trigger; supports autofocus only\u003c\/li\u003e\n\u003cli\u003eWide: Automatically detects subject and follows focus; supports autofocus and ActiveTrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePairs with Focus Pro Motor\u003c\/h4\u003e\n\u003cp\u003eUse the USB-C data port to connect the LiDAR unit with the Focus Pro Motor for cinematic autofocus capability after calibration. Press the M button on the gimbal to switch between manual and autofocus with ease.\u003c\/p\u003e\n\u003ch3\u003eDJI Focus Pro Grip\u003c\/h3\u003e\n\u003cp\u003eAttach this DJI Focus Pro Grip to either side of your DJI R3 Pro or RS 4 Pro gimbal and control your Focus Pro Motor configuration for precise FIZ. The grip has an integrated 1.8\" touchscreen display, front dial, mode button, and record buttons for intuitive control over your camera and lens operations. Toggle AMF mode to engage autofocus, causing the front dial to rotate simultaneously and allowing cinematographers to visually observe the focus status on the monitor and via tactile feedback. Manual mode can then be engaged and disengaged intuitively.\u003cbr\u003e\u003cbr\u003eThree USB-C ports facilitate communication between the Focus Pro LiDAR unit, Focus Pro Motor, and your camera. 2.4 GHz and Bluetooth communication allow for wireless transmission. Use the built-in NATO clamp and included adapters to attach the grip to either side of your gimbal configuration. A built-in battery keeps the grip running for 2.5 hours at a time, and it can recharge via PD fast charging technology using the USB-C port.\u003c\/p\u003e\n\u003ch3\u003eDJI Focus Pro Motor\u003c\/h3\u003e\n\u003cp\u003eAdd focus, iris, or zoom control to your camera when mounted on the select RS gimbal stabilizers with the DJI Focus Pro Motor. This updated motor features a 30% speed increase over the previous model with 300 gear teeth and 10ms low latency. Control the motor via 2.4 GHz transmission technology from up to 524.9' away.\u003cbr\u003e\u003cbr\u003eWhen used in zoom control mode, the Focus Pro can perform Power Zoom for PZ lenses, Clear Image Zoom, and external focus motor zoom for precise focusing. Its updated 15mm rod mount makes it more universally compatible with camera mounting configurations. Pair two Focus Pro Motors with the DJI RS 4 Pro to adjust focus with the gimbal's onboard dial and zoom with the onboard joystick for efficient lens control.\u003c\/p\u003e\n\u003ch4\u003eCompatibility\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDJI RS 3, RS 4\u003c\/li\u003e\n\u003cli\u003eDJI RS 3 Pro, RS 4 Pro\u003c\/li\u003e\n\u003cli\u003eDJI Ronin 4D Flex\u003c\/li\u003e\n\u003cli\u003eDJI Focus Pro Grip, Focus Pro Hand Unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDJI Focus Pro Hand Unit\u003c\/h3\u003e\n\u003cp\u003eUse the DJI Focus Pro Hand Unit to facilitate FIZ control of your manual lenses in tandem with your Focus Pro Motor and your RS 3\/4 Pro gimbal stabilizer. Integrated 2.4 GHz technology can control the Focus Pro Motor from up to 524.9' away. Toggle AMF mode to engage autofocus, causing the focus knob to rotate simultaneously and allowing cinematographers to visually observe the focus status on the monitor and via tactile feedback. Manual mode can then be engaged and disengaged intuitively.\u003c\/p\u003e\n\u003cp\u003eThe A-B electronic marking points provide tactile feedback for endpoints and step-less damping adjustment, ensuring more accurate focusing. The unit also allows you to toggle the recording of your camera via Bluetooth. A 1.09\" touchscreen display displays your current settings. Power is delivered to the hand unit via an NP-F550 battery.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":41053615161446,"sku":"CP.RN.00000403.01","price":1849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1712652359_1816786.jpg?v=1712683623"},{"product_id":"canon-cn-r-14mm-t3-1-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 14mm T3.1 L F Cinema Prime Lens (Canon RF)","description":"\u003cp\u003eThe Canon CN-R 14mm T3.1 L F Cinema Prime Lens (Canon RF) renders crisp images with rich contrast. An 11-blade iris and maximum T1.3 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e\n\u003ch3\u003e8K HDR Image Capture\u003c\/h3\u003e\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003ch3\u003eSelect Camera Compatibility\u003c\/h3\u003e\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003ch3\u003eIntuitive Lens Switching\u003c\/h3\u003e\n\u003cp\u003eCommon gearing positions, 114mm front diameter, 105mm filter diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, lens filters, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":41054885740646,"sku":"6398C001","price":4270.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1694508361_1786687.jpg?v=1712692622"},{"product_id":"canon-cn-r-135mm-t2-2-l-f-cinema-prime-lens-canon-rf","title":"Canon CN-R 135mm T2.2 L F Cinema Prime Lens (Canon RF)","description":"\u003cp\u003eThe Canon CN-R 135mm T2.2 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T2.2 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.\u003c\/p\u003e\n\u003ch3\u003e8K HDR Image Capture\u003c\/h3\u003e\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\n\u003ch3\u003eSelect Camera Compatibility\u003c\/h3\u003e\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\n\u003ch3\u003eIntuitive Lens Switching\u003c\/h3\u003e\n\u003cp\u003eCommon gearing positions, 114mm front diameter, 105mm filter diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, lens filters, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":41054908022886,"sku":"6404C001","price":3920.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1694508361_1786695.jpg?v=1712692578"},{"product_id":"core-swx-powerbase-edge-snap-49wh-smart-stacking-battery-pack","title":"Core SWX Powerbase EDGE SNAP 49Wh Smart-Stacking Battery Pack","description":"\u003cp\u003ePower your camera and its accessories for a long shooting day with this V-mount Core SWX Powerbase EDGE SNAP 49Wh Smart-Stacking Battery Pack This battery has a maximum continuous draw of 6.54A, a 49Wh capacity, and output voltage of 14.54V, and it can be linked with other packs using strong magnets to charge multiple SNAP batteries simultaneously using a single PD Pro charge input. It can be mounted onto a camera, cage, or rig using 1\/4\"-20 thread or an optional quick release plate.\u003c\/p\u003e\n\u003cp\u003eTwo unregulated D-Tap ports on the device can power your on-camera monitor or wireless transmitter, while two 90W PD Pro USB-C PD inputs\/outputs can charge everything from mobile devices to laptops as well as charge the battery. Monitoring your battery's status is easy with the wraparound RGB LEDs that can be viewed from any angle. The Powerbase EDGE SNAP can be recharged with a separately available USB PD or V-mount charger.\u003c\/p\u003e\n\u003ch3\u003eLinking\u003c\/h3\u003e\n\u003cp\u003eThe hot-swappable and stackable design of the EDGE SNAP enables quick and effortless addition or removal of packs, ensuring continuous power supply to accessories while allowing for convenient charging. Additionally, the PD Pro ports facilitate charging via USB-C PD while the magnetic feature enables parallel charging of multiple packs through a single USB-C PD charge connection, further enhancing efficiency and convenience.\u003c\/p\u003e\n\u003ch3\u003eLinkage Strength\u003c\/h3\u003e\n\u003cp\u003eDespite their lightweight design at just 14 oz, the Powerbase EDGE SNAP packs boast an impressive 9 lb of magnetic strength, making them ideal for the demands of the cinema video industry. This exceptional magnetic strength ensures that even when multiple packs are used in parallel, they stay securely in place, providing reliable power throughout your shoot.\u003c\/p\u003e\n\u003ch3\u003eWraparound RGB LEDs\u003c\/h3\u003e\n\u003cp\u003eThe LED gauge offers a clear visual indication of remaining battery life, remaining illuminated throughout both charge and discharge cycles. For added convenience, a status button located on the top of the pack can illuminate the LEDs to display charge status even when the pack is not in use. The LEDs are RGB-enabled, providing users the flexibility to select from four distinct colors, and they can be viewed from any angle.\u003c\/p\u003e\n\u003ch3\u003ePD Pro and D-Tap Ports\u003c\/h3\u003e\n\u003cp\u003eThe two PD Pro ports offer wide-range auxiliary voltage output, from 5 to 28V, along with up to 145W output, catering to the diverse power requirements of accessories in the professional video market. Coupled with two standard 12V D-Tap outputs, the EDGE SNAP offers flexibility, empowering users to power up to four accessories concurrently. Be it cameras, lights, monitors, or other indispensable equipment, the Edge Snap ensures dependable and consistent power delivery, ensuring seamless operation to keep your production running seamlessly.\u003c\/p\u003e\n\u003ch3\u003eVoltbridge iD\u003c\/h3\u003e\n\u003cp\u003eEach Powerbase EDGE SNAP pack comes equipped with an RFID chip to store accumulated battery data. Simply wave your phone near the pack to access vital stats. The Core SWX Voltbridge iD app streamlines battery fleet management effortlessly.\u003c\/p\u003e\n\u003ch3\u003eOptional Quick Release Plate\u003c\/h3\u003e\n\u003cp\u003eWhile SNAP packs feature one 1\/4\"-20 connection, the separately available EDGE SNAP quick release plate allows the packs to be mounted through a multitude of 1\/4\"-20 and 3\/8\"-16 anti-twist connections and 1\/4\"-20 threads for a wide array of mounting options.\u003c\/p\u003e","brand":"Core SWX","offers":[{"title":"Default Title","offer_id":41205004664934,"sku":"PBE-SNAP","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1713088033_1822399.jpg?v=1713376495"},{"product_id":"kondor-blue-4x5-matte-box-system","title":"Kondor Blue 4x5 Matte Box System","description":"\u003cp\u003eThe Kondor Blue 4x5 Matte Box System represents the next generation of what a matte box should be expected to do. It can scale up or down to fit any creator’s needs and project requirements. \u003c\/p\u003e\n\u003cp\u003eBy beginning with the pro-level standard of the ARRI LMB, Kondor Blue matched their 4-post mounting standard but made the system even more adaptable to various stages and mounting plates. From there, they implemented critical safety features such as pivoting filter catches, a safety snake loop, and a magnetically nesting carbon top flag. Kondor Blue then added quality-of-life features such as line bubble level, top flag tension and tilt controls, and knurled knobs for easy adjustment with the comfort of integrated o-rings. All adjustment knobs are captively contained for peace of mind and ease of use.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe KONDOR Blue Matte Box Systems holds up to 4 4x5.65” (2-4mm thick) filters. From the Ulitmate to the Base Kit and any combo in between, the Kondor Blue Matte Box System can also be configured to any level of production, budget, or shooting style. This level of adaptability within this price point is unprecedented. Made from premium materials throughout, the KONDOR Blue 4x5 Matte Box System is in a league of its own.\u003c\/p\u003e\n\u003ch3\u003eBase Kit\u003c\/h3\u003e\n\u003cp\u003eThe KB LMB Base Kit can hold a single 4x5 filter in the front-loaded filter holder. Every component is made from premium materials and finishes for durability and rigidity. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncluded Base Kit Accessories:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e95mm Clamp-on Lens Adapter direct mounted to Small KB MBS Hood\u003c\/li\u003e\n\u003cli\u003eMagnetic Carbon Top Flag with bubble level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndie Kit\u003c\/h3\u003e\n\u003cp\u003eThe KB LMB Indie Kit can hold up to 2 4x5 filters—1 front-loaded, 1 in a Filter Tray. Every component is made from premium materials and finishes for durability and rigidity. \u003cbr\u003e\u003cbr\u003eIncluded Indie Kit Accessories:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Filter Trays\u003c\/li\u003e\n\u003cli\u003eSingle Stage Filter Tray Holder direct mounted to Small KB MBS Hood\u003c\/li\u003e\n\u003cli\u003eSafety Braid loop\u003c\/li\u003e\n\u003cli\u003e95mm Clamp-on Lens Adapter\u003c\/li\u003e\n\u003cli\u003eMagnetic Carbon Top Flag with bubble level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePro Kit\u003c\/h3\u003e\n\u003cp\u003eThe KB LMB Pro Kit can hold up to 3 4x5 filters—1 front-loaded, 2 in a Filter Trays. Every component is made from premium materials and finishes for durability and rigidity. \u003cbr\u003e\u003cbr\u003eIncluded Pro Kit Accessories:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 Filter Trays\u003c\/li\u003e\n\u003cli\u003eDual Stage Filter Tray Holder direct mounted to Small KB MBS Hood\u003c\/li\u003e\n\u003cli\u003eSafety Braid loop\u003c\/li\u003e\n\u003cli\u003e95mm Clamp-on Lens Adapter\u003c\/li\u003e\n\u003cli\u003eMagnetic Carbon Top Flag with bubble level\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kondor Blue","offers":[{"title":"Base Kit","offer_id":41225262956646,"sku":"KB-LMB-BASE","price":275.0,"currency_code":"USD","in_stock":false},{"title":"Indie Kit","offer_id":41225262989414,"sku":"KB-LMB-INDIE","price":425.0,"currency_code":"USD","in_stock":false},{"title":"Pro Kit","offer_id":41225263022182,"sku":"KB-LMB-PRO","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/kb-lmb-basekit.jpg?v=1713545539"},{"product_id":"core-swx-quick-release-plate-for-powerbase-edge-snap-battery","title":"Core SWX Quick Release Plate for Powerbase EDGE SNAP Battery","description":"\u003cp\u003eQuickly mount your Powerbase EDGE SNAP battery onto a camera or rig with this Quick Release Plate from Core SWX. The durable plate mounts onto the battery using strong magnets, allowing you to mount and unmount the battery quickly.\u003c\/p\u003e\n\u003cp\u003eThe plate can mount onto a camera, cage, or rig using either a 1\/4\"-20 center screw or V-lock adapter, and there are additional 1\/4\"-20 and 3\/8\"-16 anti-twist threads around the plate for additional mounting options.\u003c\/p\u003e","brand":"Core SWX","offers":[{"title":"Default Title","offer_id":41254916292710,"sku":"SNAP-QRC","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1713088033_1822400.jpg?v=1713907389"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-leica-l","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L)","description":"\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera is the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\n\u003ch3\u003eCustomize Your Gear\u003c\/h3\u003e\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\n\u003cp\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\u003ch3\u003ePost-Production File Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42160740466790,"sku":"CINECAMCPYXA60LFL","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1713184525_1823584.jpg?v=1728932278"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-1","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)","description":"\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera is the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\n\u003ch3\u003eCustomize Your Gear\u003c\/h3\u003e\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\n\u003cp\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\u003ch3\u003ePost-Production File Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42160743645286,"sku":"CINECAMCPYXD60LFEF","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1712933734_1823585_b9f18d50-c6a7-41af-9241-bdef88f4f4e1.jpg?v=1728932309"},{"product_id":"betty-lights-luminous-reflector-flux-a4","title":"Betty Lights Luminous Reflector Flux A4","description":"\u003cp data-end=\"1748\" data-start=\"1521\"\u003eBetty isn’t just trusted—she’s trusted on major motion picture sets. During the production of \u003cem data-end=\"1631\" data-start=\"1615\"\u003eDisclosure Day\u003c\/em\u003e, the gaffer relied on the \u003ca href=\"https:\/\/hotrodcameras.com\/collections\/betty-lights-luminous-reflector\" title=\"Betty Lights Luminous Reflector\"\u003eBetty Luminous Reflector\u003c\/a\u003e for fast, beautiful, controlled lighting. As Steve Ramsey shared:\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003e“The Betty is a professional tool that solves last-minute lighting challenges effortlessly. Soft, directional, beautifully balanced light—plus extremely fast to work with.”\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003eThe first teaser trailer has officially premiered, showcasing work enhanced using Betty.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UFe6NRgoXCM?si=TlqkzA-ofZaI7T68\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Betty Lights Luminous Reflector Flux A4 delivers professional-grade reflection in a package no bigger than a standard sheet of paper. Designed for tight spaces, mobile setups, and small-scale productions, the Flux A4 provides soft, natural light with fresnel-like directionality. Lightweight, portable, and versatile, it’s the ultimate tool for creators on the go or anyone looking to maximize their lighting efficiency in a minimal footprint.\u003c\/p\u003e\n\u003ch2\u003eWhat's Included\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1x A4 size Luminous Reflector\u003c\/li\u003e\n\u003cli\u003e1x Quad Magnet\u003c\/li\u003e\n\u003cli\u003e1x Baby Pin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCompact Design\u003c\/h2\u003e\n\u003cp\u003eAt the size of an A4 sheet of paper, the Flux A4 fits easily into carry-on luggage, backpacks, or grip trucks, making it perfect for travel and small setups.\u003c\/p\u003e\n\u003ch2\u003eSoft, Flattering Light\u003c\/h2\u003e\n\u003cp\u003eThe Flux A4’s reflective surface creates a gentle, natural light with fresnel-like shadows, ideal for close-ups and intimate scenes. The light from Betty is the most talent-friendly, there’s no wincing or squinting even when re-directing bright light sources like the sun.\u003c\/p\u003e\n\u003ch2\u003eEffortless Portability\u003c\/h2\u003e\n\u003cp\u003eIts flat-pack design ensures it takes up minimal space while remaining lightweight and durable for location shoots or mobile studios. The included Custom Transport Sleeve offers ample space for everything in the kit and an additional Flux A4 reflector and accessories. Each Transport Sleeve can carry (2) Flux A4 reflectors, (2) Linking Magnets, (2) Square Magnets and (2) 5\/8” Betty Baby Pins.\u003c\/p\u003e\n\u003ch2\u003eMagnetic Compatibility\u003c\/h2\u003e\n\u003cp\u003eAttach accessories like defractors, modifiers, or even magnetic LED lights to expand your setup without tools, saving time and effort on set.\u003c\/p\u003e\n\u003ch2\u003eDurable Build\u003c\/h2\u003e\n\u003cp\u003eFeaturing a dual-sided, damage-resistant coating, the Flux A4 is tough enough to handle fingerprints, scratches, and everyday wear. Flip sides as needed and keep working.\u003c\/p\u003e\n\u003ch2\u003ePerfect For\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterviews and Close-Ups:\u003c\/strong\u003e Deliver professional light in tight spaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMobile Creators:\u003c\/strong\u003e Ideal for vloggers, YouTubers, or traveling photographers who need portable, reliable gear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTabletop Shoots:\u003c\/strong\u003e Compact and precise, the Flux A4 is a go-to for product photography or detail work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight Setups:\u003c\/strong\u003e Perfect for situations where space and efficiency are paramount.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Betty Lights","offers":[{"title":"Default Title","offer_id":42419216515174,"sku":"BTY-FLUX-A4-KIT","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/BTY-FLUX-A4-KIT_1.jpg?v=1774647619"},{"product_id":"betty-lights-luminous-reflector-flux-50","title":"Betty Lights Luminous Reflector Flux 50","description":"\u003cp data-end=\"1748\" data-start=\"1521\"\u003eBetty isn’t just trusted—she’s trusted on major motion-picture sets. During the production of \u003cem data-end=\"1631\" data-start=\"1615\"\u003eDisclosure Day\u003c\/em\u003e, the gaffer relied on the \u003ca href=\"https:\/\/hotrodcameras.com\/collections\/betty-lights-luminous-reflector\" title=\"Betty Lights Luminous Reflector\"\u003eBetty Luminous Reflector\u003c\/a\u003e for fast, beautiful, controlled lighting. As Steve Ramsey shared:\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003e“The Betty is a professional tool that solves last-minute lighting challenges effortlessly. Soft, directional, beautifully balanced light—plus extremely fast to work with.”\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003eThe first teaser trailer has officially premiered, showcasing work enhanced using Betty.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UFe6NRgoXCM?si=TlqkzA-ofZaI7T68\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Betty Lights Luminous Reflector Flux 50 strikes the perfect balance between size and versatility, delivering broad, natural light coverage with fresnel-like directionality. Designed for mid-sized productions, the Flux 50 offers professional-grade reflection in a lightweight, portable design that’s built to adapt. Whether you're lighting a group scene, a commercial set, or an editorial shoot, the Flux 50 combines precision and portability for effortless lighting solutions.\u003c\/p\u003e\n\u003ch2\u003eWhat's Included\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1x 50cm size Luminous Reflector\u003c\/li\u003e\n\u003cli\u003e2x Quad Magnet\u003c\/li\u003e\n\u003cli\u003e1x Handle\u003c\/li\u003e\n\u003cli\u003e1x Baby Pin\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eBroad, Even Light\u003c\/h2\u003e\n\u003cp\u003eWith its larger square design, the Flux 50 provides soft, diffused, and flattering light coverage—perfect for multiple subjects or wider shot\u003c\/p\u003e\n\u003ch2\u003eSoft, Flattering Light\u003c\/h2\u003e\n\u003cp\u003eThe reflective surface creates a gentle, natural light with fresnel-like shadows, ideal for key, fill, back or interview lighting. The light from Betty is the most talent-friendly, there’s no wincing or squinting even when re-directing bright light sources like the sun.\u003c\/p\u003e\n\u003ch2\u003eFresnel-Like Directionality\u003c\/h2\u003e\n\u003cp\u003eThe Flux 50’s reflective surface delivers precise control, combining soft falloff with the ability to sculpt light effortlessly.\u003c\/p\u003e\n\u003ch2\u003ePortable and Space-Saving\u003c\/h2\u003e\n\u003cp\u003eDespite its size, the Flux 50 packs flat, making it easy to transport in grip trucks or small cases. It’s ideal for productions where space is limited but performance is critical.\u003c\/p\u003e\n\u003ch2\u003eMagnetic Compatibility\u003c\/h2\u003e\n\u003cp\u003eAttach modifiers, defractors, and other accessories with ease using the Flux 50’s magnetic base, streamlining your workflow and setup.\u003c\/p\u003e\n\u003ch2\u003eBuilt for Durability\u003c\/h2\u003e\n\u003cp\u003eConstructed with a dual-sided, damage-resistant coating, the Flux 50 can withstand drops, fingerprints, and the rigors of professional production. Flip sides and keep working without missing a beat.\u003c\/p\u003e\n\u003ch2\u003ePerfect For\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCommercial Shoots:\u003c\/strong\u003e The perfect size for product shots, group scenes, and mid-range setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEditorial Photography:\u003c\/strong\u003e Achieve professional, flattering light for portrait or lifestyle photography.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFilm and TV Sets:\u003c\/strong\u003e A versatile solution for mid-sized scenes that need broad, natural light.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocation Work\u003c\/strong\u003e: Portable enough to take anywhere, robust enough to handle the elements.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Betty Lights","offers":[{"title":"Default Title","offer_id":42419220054118,"sku":"BTY-FLUX-50-KIT","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/BTY-FLUX-50-KIT_1.jpg?v=1739477667"},{"product_id":"betty-lights-luminous-reflector-flux-4x","title":"Betty Lights Luminous Reflector Flux 4X","description":"\u003cp data-end=\"1748\" data-start=\"1521\"\u003eBetty isn’t just trusted, she’s trusted on major motion-picture sets. During the production of Disclosure Day, the gaffer relied on the B\u003ca title=\"Betty Lights Luminous Reflector\" href=\"https:\/\/hotrodcameras.com\/collections\/betty-lights-luminous-reflector\"\u003eetty Luminous Reflector\u003c\/a\u003e for fast, beautiful, controlled lighting. As Steve Ramsey shared:\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003e“The Betty is a professional tool that solves last-minute lighting challenges effortlessly. Soft, directional, beautifully balanced light—plus extremely fast to work with.”\u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1521\"\u003eThe first teaser trailer has officially premiered, showcasing work enhanced using Betty.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UFe6NRgoXCM?si=TlqkzA-ofZaI7T68\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Betty Lights Luminous Reflector Flux 4X is the ultimate lighting solution for large-scale productions, combining four \u003ca title=\"Betty Lights Luminous Reflector Flux 50\" href=\"https:\/\/hotrodcameras.com\/collections\/betty-lights-luminous-reflector\/products\/betty-lights-luminous-reflector-flux-50\"\u003eFlux 50\u003c\/a\u003e plates with the innovative Exoskeleton Yoke. Effortlessly scalable, tool-free to assemble, and compact for transport, the Flux 4X offers precision, durability, and unparalleled flexibility. Perfect for professionals who demand efficiency without sacrificing performance.\u003c\/p\u003e\n\u003ch2\u003eWhat's Included\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4x 50cm size Luminous Reflector\u003c\/li\u003e\n\u003cli\u003e1x Quick Release Exoskeleton\u003c\/li\u003e\n\u003cli\u003e1x Compact Yoke\u003c\/li\u003e\n\u003cli\u003e16x Knurled Fasteners\u003c\/li\u003e\n\u003cli\u003e1x Carry Handle\u003c\/li\u003e\n\u003cli\u003e1x Nanuk 968 Transport Case with Custom Laser Cut Foam\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eEffortless Assembly\u003c\/h2\u003e\n\u003cp\u003eThe Exoskeleton Yoke enables seamless, tool-free construction, allowing you to set up quickly and focus on the production.\u003c\/p\u003e\n\u003ch2\u003eScalable and Flexible\u003c\/h2\u003e\n\u003cp\u003eThe Flux 4X provides expansive light coverage, but it doesn’t stop there, with a Modern Speed-Rail adapter (not included) you can combine multiple Flux 4X units to create even larger reflectors for massive production needs. Whether you're lighting a stage or a full set, the possibilities are endless.\u003c\/p\u003e\n\u003ch2\u003eCompact and Transportable\u003c\/h2\u003e\n\u003cp\u003eWhen built, the Flux 4X fits perfectly into a standard 4x4 grip cart, ensuring easy storage and quick access. For travel, the entire system disassembles into a heavy duty rolling case that is only (L25.0\" x W24.7\" x H13.6\"). Being so compact means that any Flux 4X can be checked as luggage for both domestic and international flights making it ideal for location shoots anywhere on Earth.\u003c\/p\u003e\n\u003ch2\u003eEfficient Book Light Replacement\u003c\/h2\u003e\n\u003cp\u003eDesigned to replace a traditional book light setup, the Flux 4X offers similar soft, directional light in less space and with faster assembly, saving you both time and effort.\u003c\/p\u003e\n\u003ch2\u003eDurable Design\u003c\/h2\u003e\n\u003cp\u003eBuilt to withstand the demands of professional environments, the Flux 4X combines the toughness you need with the flexibility you want.\u003c\/p\u003e\n\u003ch2\u003ePerfect For\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge Film and TV Productions:\u003c\/strong\u003e Create expansive light coverage with precision.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocation Shoots:\u003c\/strong\u003e Compact enough to travel, robust enough to handle the elements.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional Crews:\u003c\/strong\u003e Quick to assemble, easy to transport, and scalable for any scenario.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBook Light Replacements:\u003c\/strong\u003e Achieve the softness of a book light without the bulky setup or extended build time.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Betty Lights","offers":[{"title":"Default Title","offer_id":42419220086886,"sku":"BTY-FLUX-4X-KIT","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/BTY-FLUX-4X-KIT_1.jpg?v=1739477533"},{"product_id":"tilta-v2-full-camera-cage-for-sony-fx3-fx30-titanium-gray","title":"Tilta Full Camera Cage V2 for Sony FX3 \u0026 FX30 (Titanium Gray)","description":"\u003cp\u003eThe Tilta Full Camera Cage V2 for Sony FX3 \u0026amp; FX30 (Titanium Gray) offers the option of full cage protection or a lighter-weight half cage suitable for gimbal use by removing its side L-bracket. The titanium gray aluminum cage maintains access to the camera's controls and features a removable NATO top plate that enables the use of the original XLR top handle or another handle. \u003c\/p\u003e\n\u003cp\u003eUse the cage to mount a variety of accessories using the top plate NATO rail, the shoe mount, and the 3\/8\"-16 and 1\/4\"-20 threads with anti-twist locating pins. The cage also features an integrated Arca-style base for quick mounting onto tripod heads and gimbal mounts. It can be used in both horizontal and vertical orientations and also features a right-side handgrip, an HDMI cable clamp, and strap slots for an optional wrist or neck strap.\u003c\/p\u003e","brand":"Tilta","offers":[{"title":"Default Title","offer_id":42452222345318,"sku":"TA-T16-FCC-TG","price":98.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1694622928_1784283.jpg?v=1737148800"},{"product_id":"blackmagic-design-ursa-cine-12k-lf-camera-body-only-canon-ef","title":"Blackmagic Design URSA Cine 12K LF Camera (Body Only, Canon EF)","description":"\u003cp\u003eThe Blackmagic Design URSA Cine 12K LF Camera (Body Only, Canon EF) is a fully featured model without any limitations in quality or performance, but it excludes accessories such as shoulder mounts, handles, some lens mounts, battery plates, power supply, lenses and the high capacity 8TB media module. Customers can purchase these items separately as they need them to complete the total camera rig in the exact configuration they prefer.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge Format Full-Frame 12K Sensor\u003c\/li\u003e\n\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/li\u003e\n\u003cli\u003eIncludes CFexpress Media Module\u003c\/li\u003e\n\u003cli\u003eStream via RTMP\/SRT via Wi-Fi\/RJ45\/USB-C\u003c\/li\u003e\n\u003cli\u003eBuilt-In Clear, 2\/4\/6-Stop IRND Filters\u003c\/li\u003e\n\u003cli\u003eBuilt-In Folding 5\" 1500 cd\/m² Monitor\u003c\/li\u003e\n\u003cli\u003e12G-SDI Output, USB-C Expansion Ports\u003c\/li\u003e\n\u003cli\u003eTimecode\/REF, LEMO\/Fischer Control Ports\u003c\/li\u003e\n\u003cli\u003e2 x Balanced 3-Pin XLR Audio Inputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42471286767718,"sku":"CINEURSAA12KLFBODY","price":7695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/blackmagic_design_cineursaa12klfbody_ursa_cine_12k_lf_1738237850_1877259.jpg?v=1757080247"},{"product_id":"dji-mavic-3-classic-with-dji-rc-remote","title":"DJI Mavic 3 Classic Drone with DJI RC Remote Controller","description":"\u003cp\u003eThe DJI Mavic 3 Classic Drone with DJI RC Remote Controller focuses on the advanced 20MP 4\/3\" CMOS sensor designed by legendary camera maker Hasselblad. Designed specifically for the Mavic 3 and meeting Hasselblad's rigorous hardware and software standards, the 3-axis gimbal camera is capable of 4K video at 60 fps, a maximum of 5.1K at 50 fps, and 4K slow-motion footage at 120 fps.\u003c\/p\u003e\n\u003cp\u003eNearly any filming scenario can be tackled by the Mavic 3 Classic, as the 12.8 stops of dynamic range and f\/2.8 to f\/11 adjustable aperture let pilots account for nearly any lighting condition. To complete the Mavic 3 Classic's powerful imaging abilities, 10-bit D-Log Color Profile and Hasselblad's NCS (Natural Color Solution) are employed for natural and accurate color reproduction. To make those brilliant videos shine, DJI also offers advanced tracking, pro-style automated maneuvers, and the ability to precisely hover for time-lapse and long-exposure shots.\u003c\/p\u003e\n\u003ch3\u003eHasselblad Natural Color Solution\u003c\/h3\u003e\n\u003cp\u003eThe result of Hasselblad's many decades of experience, the HNCS starts from the pixel level of the sensor. Every pixel is calibrated with RGB color data being passed through an image processing algorithm and color processing mode while filming. The result is content containing precise and natural color reproduction, all without the need for color presets.\u003c\/p\u003e\n\u003ch3\u003eOmnidirectional Obstacle Sensing\u003c\/h3\u003e\n\u003cp\u003eAPAS 5.0 is utilized for all-direction sensing, giving the Mavic 3 the ability to smoothly avoid objects in flight.\u003c\/p\u003e\n\u003ch3\u003eO3+ Transmission\u003c\/h3\u003e\n\u003cp\u003eContinuously view a live feed from the Mavic 3 Classic, even from distances up to 9.32 miles away. That footage is sent back to you at 1080p60 Full HD quality, letting you better understand the scene and view most of the clarity that the drone's Hasselblad camera is capturing.\u003c\/p\u003e\n\u003ch3\u003eAdvanced RTH\u003c\/h3\u003e\n\u003cp\u003eAfter raising the Mavic 3 Classic to your desired altitude, the drone's advanced RTH system will automatically plot the optimal route back home.\u003c\/p\u003e\n\u003ch3\u003ePrecise Hovering\u003c\/h3\u003e\n\u003cp\u003eWith decimeter-level precision when hovering, you can take clear hovering time-lapse and long-exposure shots.\u003c\/p\u003e\n\u003ch3\u003eCruise Control\u003c\/h3\u003e\n\u003cp\u003eSet the Mavic 3 Classic to fly in a singular direction without having to continuously press the flight stick in that direction. This helps with less shaky video footage and more relaxing long-distance flying.\u003c\/p\u003e\n\u003ch3\u003eTracking and Shooting Modes\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActiveTrack 5.0: Track your subject from different directions\u003c\/li\u003e\n\u003cli\u003eMasterShots: Deliver a cinematic feel with automated shooting and editing\u003c\/li\u003e\n\u003cli\u003eQuickShots: Pilots with limited experience can pull off impressive results with pro-style flying patterns the Mavic 3 Classic performs automatically, such as Dronie, Rocket, Circle, and Helix\u003c\/li\u003e\n\u003cli\u003eHyperlapse: Capture footage that depicts an accelerated passage of time\u003c\/li\u003e\n\u003cli\u003ePanorama: Record sweeping vistas and landscapes in stunning detail\u003c\/li\u003e\n\u003cli\u003eNight Shots: Optimizes footage taken in low-light scenarios and removes noise for sharper results\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHigh-Speed QuickTransfer\u003c\/h3\u003e\n\u003cp\u003ePhotos and videos can be sent quickly to a smartphone for editing and sharing with your studio or social media platform of choice.\u003c\/p\u003e\n\u003ch3\u003eAdditional Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 46 minutes of flight time\u003c\/li\u003e\n\u003cli\u003eUp to 40 minutes of hovering time\u003c\/li\u003e\n\u003cli\u003eHLG dynamic range support\u003c\/li\u003e\n\u003cli\u003eVDAF (Vision Detection Autofocus) technology\u003c\/li\u003e\n\u003cli\u003e12-bit raw support\u003c\/li\u003e\n\u003cli\u003eStill photo modes: Single shot, automatic exposure bracketing, and timed photos (up to 60 seconds)\u003c\/li\u003e\n\u003cli\u003eLevel 5 wind resistance (up to 26.8 mph)\u003c\/li\u003e\n\u003cli\u003e8GB of internal storage capacity\u003c\/li\u003e\n\u003cli\u003emicroSD card slot supports up to 512GB cards\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":42481847238758,"sku":"CP.MA.00000554.02","price":1749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1686307238_1730109.jpg?v=1738696470"},{"product_id":"tokina-cinema-vista-c-50mm-t1-5-prime-lens-pl-mount-focus-scale-in-feet","title":"Tokina Cinema Vista-C 50mm T1.5 Prime Lens (PL Mount, Focus Scale in Feet)","description":"\u003cp\u003eThe Tokina Cinema Vista-C 50mm T1.5 Prime Lens (PL Mount, Focus Scale in Feet) features high resolution modern optics with free form design for visual acuity matching the human eye.\u003c\/p\u003e\n\u003cp\u003eLike many older lenses the Vista-C lenses beautifully flare with red and blue accents, avoiding the more modern green flares often found on newer cinema lenses. 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The generous image circle provides coverage up to 65mm large format sensors, accentuating the flares.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIncreased spherical distortion\u003c\/li\u003e\n\u003cli\u003eReduced Contrast\u003c\/li\u003e\n\u003cli\u003eSuper fast T1.5 Aperture\u003c\/li\u003e\n\u003cli\u003eVirtually no breathing\u003c\/li\u003e\n\u003cli\u003eA focus rotation angle of approximately 300 degrees\u003c\/li\u003e\n\u003cli\u003eDigital large format coverage\u003c\/li\u003e\n\u003cli\u003eHigh resolution - low distortion\u003c\/li\u003e\n\u003cli\u003eLow chromatic aberration\u003c\/li\u003e\n\u003cli\u003eDurable, all-metal cine-style housing with geared focus\u003c\/li\u003e\n\u003cli\u003eSmooth, 9-blade, curved iris\u003c\/li\u003e\n\u003cli\u003e114mm front diameter, 112mm front filter thread\u003c\/li\u003e\n\u003cli\u003eIdentical gear position on all focal lengths\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42495746015334,"sku":"KPC-3202PL","price":10599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/KPC-3202PL-Vista-C-50mm-Side-1x1.jpg?v=1739300377"},{"product_id":"tokina-cinema-vista-c-135mm-t1-5-prime-lens-pl-mount-focus-scale-in-feet","title":"Tokina Cinema Vista-C 135mm T1.5 Prime Lens (PL Mount, Focus Scale in Feet)","description":"\u003cp\u003eThe Tokina Cinema Vista-C 135mm T1.5 Prime Lens (PL Mount, Focus Scale in Feet) features high resolution modern optics with free form design for visual acuity matching the human eye.\u003c\/p\u003e\n\u003cp\u003eLike many older lenses the Vista-C lenses beautifully flare with red and blue accents, avoiding the more modern green flares often found on newer cinema lenses. 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The generous image circle provides coverage up to 65mm large format sensors, accentuating the flares.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIncreased spherical distortion\u003c\/li\u003e\n\u003cli\u003eReduced Contrast\u003c\/li\u003e\n\u003cli\u003eSuper fast T1.5 Aperture\u003c\/li\u003e\n\u003cli\u003eVirtually no breathing\u003c\/li\u003e\n\u003cli\u003eA focus rotation angle of approximately 300 degrees\u003c\/li\u003e\n\u003cli\u003eDigital large format coverage\u003c\/li\u003e\n\u003cli\u003eHigh resolution - low distortion\u003c\/li\u003e\n\u003cli\u003eLow chromatic aberration\u003c\/li\u003e\n\u003cli\u003eDurable, all-metal cine-style housing with geared focus\u003c\/li\u003e\n\u003cli\u003eSmooth, 9-blade, curved iris\u003c\/li\u003e\n\u003cli\u003e114mm front diameter, 112mm front filter thread\u003c\/li\u003e\n\u003cli\u003eIdentical gear position on all focal lengths\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42495746146406,"sku":"KPC-3210PL","price":12999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/KPC-3210PL-Vista-C-135mm-Side-1x1.jpg?v=1739300422"},{"product_id":"red-digital-cinema-v-raptor-x-z-mount-starter-pack-with-7-0-touch-micro-v-batteries","title":"RED DIGITAL CINEMA V-RAPTOR [X] Z Mount Starter Pack with 7.0\" Touch \u0026 MICRO-V Batteries","description":"\u003cp\u003eThe RED DIGITAL CINEMA V-RAPTOR [X] Z Mount Starter Pack with 7.0\" Touch \u0026amp; MICRO-V Batteries pairs the strengths of the RED DIGITAL CINEMA V-RAPTOR line with the global shutter of the KOMODO camera and a native Nikon Z mount offering adjustable AF speeds, fluid iris control, and customizable lens responses.\u003c\/p\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRED DIGITAL CINEMA V-RAPTOR [X] 8K VV Camera (Nikon Z)\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD with Rigid Hinge\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA EXT-to-Timecode Cable (3')\u003c\/li\u003e\n\u003cli\u003eRED DIGITAL CINEMA V-RAPTOR Wing Grip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOptimal 8K Resolution Performance\u003c\/h3\u003e\n\u003cp\u003eThe powerful, all-purpose V-RAPTOR [X] Z Mount incorporates 8K resolution, crisp global shutter, optimal low-light performance, and high frame rate functions in a compact, feature-rich body weighing just over 4 lb.\u003c\/p\u003e\n\u003ch3\u003eNikon Z Lens Mount\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe V-RAPTOR [X] Z Mount's reinforced, locking Nikon Z lens mount has advanced iris, autofocus, and lens response capabilities.\u003c\/li\u003e\n\u003cli\u003eIt offers toolless switching to additional RED mounts and compatibility with third-party adapters for a wide range of lenses.\u003c\/li\u003e\n\u003cli\u003eUse the V-RAPTOR [X] Z Mount with the RED Z to PL adapter for compatibility with upcoming \/i PL lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNew Large-Format Standard\u003c\/h3\u003e\n\u003cp\u003eThis DSMC3 flagship camera is the first large-format global shutter camera and the first to offer RED's Global Vision with a suite of tools that provide unprecedented flexibility and dynamic range. Key features shared with the original V-RAPTOR include a locking Canon RF lens mount, a single CFexpress Type B card slot that supports up to 8K120 capture, and two unique 12G-SDI monitoring outputs. The V-RAPTOR [X] Z Mount also features a redesigned sensor cavity that mitigates stray light and improves contrast, plus improved in-camera audio preamps.\u003c\/p\u003e\n\u003ch3\u003eAdvanced, Intelligent Focus\u003c\/h3\u003e\n\u003cp\u003eIn-camera processing and on-sensor, enhanced phase-detection autofocus plus all-new face detection enables the V-RAPTOR [X] Z Mount to offer versatility and confidence to all levels of filmmakers.\u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter\u003c\/h3\u003e\n\u003cp\u003eThis camera's large-format global shutter accurately captures your subject's motion, no matter how fast they're moving, with no distortion or Jello-like effects sometimes found with a rolling shutter. With the global shutter, you can capture every movement, flash, and burst without compromising image quality, dynamic range, or flexibility in post-production.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\u003cp\u003eRED's Global Vision suite of tools uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process. These tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR. Extended Highlights also offers 3+ stops of additional dynamic range, maintaining color and detail even within extreme highlights.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe 17+ stops of dynamic range in standard modes and up to 20+ with Extended Highlights enable the V-RAPTOR [X] Z Mount to deliver both smooth highlight roll-off and uncompromising low-light performance.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with a green screen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eUp to 8K at 120 fps\u003c\/h3\u003e\n\u003cp\u003eUnmatched frame-rate performance enables V-RAPTOR [X] Z Mount users to leverage creative elements like time-lapse or speed ramping or to extract ultrasharp still photos. Frame rate options include 8K, 6K, 4K, and 2K selections.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Control Display\u003c\/h3\u003e\n\u003cp\u003eThe integrated side display provides intuitive, easily navigable, comprehensive control, including in-camera format selections, customized buttons, and more.\u003c\/p\u003e\n\u003ch3\u003eVirtual Production\/Advanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR [X] Z Mount uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, the RED Connect module for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more. These enhanced features put the V-RAPTOR [X] Z Mount at the forefront of technology used for virtual production.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Control Pro App\u003c\/h3\u003e\n\u003cp\u003eConnect the V-RAPTOR [X] Z Mount using fiber cable and the RED CONNECT module to live stream 8K full-resolution, cinematic video over an IP network. Use the RED Control Pro iOS\/Android app and the all-new RED CONNECT technology to unlock the V-RAPTOR [X] Z Mount's capabilities.\u003c\/p\u003e\n\u003ch3\u003eAll-New Audio Architecture\u003c\/h3\u003e\n\u003cp\u003eNewly engineered audio hardware provides cleaner, clearer audio when using external microphones with the V-RAPTOR [X] Z Mount.\u003c\/p\u003e\n\u003ch3\u003eDurable, Rugged Design\u003c\/h3\u003e\n\u003cp\u003eDesigned with water and dust-resistant materials in critical areas of its body, the V-RAPTOR [X] Z Mount is suitable for a wide variety of environments. However, it is not waterproof and should be handled like other high-end electronics.\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":42500830167142,"sku":"710-0434","price":34250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/710-0434_1.jpg?v=1741901781"},{"product_id":"red-digital-cinema-komodo-x-z-mount-6k-digital-cinema-camera-nikon-z","title":"RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z)","description":"\u003cp\u003eThe RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z) features a native Nikon Z mount offering adjustable AF speeds, fluid iris control, and customizable lens responses. It shares the global shutter 6K S35 sensor, powerful IP workflow, and advanced interfaces of the RF-mount KOMODO-X.\u003c\/p\u003e\n\u003ch3\u003eNikon Z Lens Mount\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe KOMODO-X Z Mount has a reinforced, locking Nikon Z lens mount with advanced iris, auto-focus, and lens response capabilities.\u003c\/li\u003e\n\u003cli\u003ePair the camera with a Nikon FTZ II mount adapter to use older Nikon F-mount lenses.\u003c\/li\u003e\n\u003cli\u003eIt offers toolless switching to additional RED mounts and compatibility with third-party adapters for use with a wide range of lenses.\u003c\/li\u003e\n\u003cli\u003eUse the KOMODO-X Z Mount with the RED Z to PL adapter for compatibility with upcoming \/i PL lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e6K Super 35 Global Shutter Sensor\u003c\/h3\u003e\n\u003cp\u003eWhile sized the same as the original 6K S35 global-shutter KOMODO sensor, the KOMODO-X Z Mount sensor has been redesigned from the ground up, offering key architectural improvements while producing excellent image quality and color science. Features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K.\u003c\/p\u003e\n\u003ch3\u003eCompact KOMODO Form\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO-X Z Mount camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X Z Mount has a built-in plate that enables the direct use of Micro V-mount batteries and is compatible with the PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use. It also incorporates a full-size, 4-pin 11-17 VDC power input.\u003c\/p\u003e\n\u003ch3\u003eIntegrated LCD\u003c\/h3\u003e\n\u003cp\u003eUsers can preview their images and apply simplified controls via the integrated 2.9\" LCD, an especially handy feature in tight setups. Pair the KOMODO-X Z Mount with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD for more precise monitoring and full control in a cable-free, decluttered form.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Expanded In\/Out\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO-X Z Mount's expanded interface includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12G-SDI video output up to 4K60p.\u003c\/li\u003e\n\u003cli\u003eA USB-C port with Ethernet offload capabilities.\u003c\/li\u003e\n\u003cli\u003eBuilt-in Wi-Fi for IP live streaming for web applications and in-app monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAdvanced Connectivity\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWith a USB-C interface and an integrated Wi-Fi function, the KOMODO-X Z Mount shines at streamlined IP workflows like Virtual Production and live broadcasting. 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The titanium-core adapter transmits Cooke \/i data and record triggering, can be shimmed, and is temperature resistant.\u003c\/p\u003e\n\u003ch3\u003eRobust PL Mount\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThis robust mount enables consistent, precise back focus whether you're using the ND or the clear filter.\u003c\/li\u003e\n\u003cli\u003ePlease note that existing RED V-RAPTOR RF to PL or V-RAPTOR Z to PL adapter users should contact RED directly about purchasing just the Z to PL with ND adapter without the ribs or support brackets.\u003c\/li\u003e\n\u003cli\u003ePlease note that this adapter is only compatible with the V-RAPTOR Z mount camera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNeutral Density and Clear Filters\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUse the variable neutral density filter to reduce your exposure by 2 to 7 stops. 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The L-mount, hybrid-AF body also boasts 6K video capabilities, resulting in a camera that produces high-quality imagery at will.\u003c\/p\u003e\n\u003ch3\u003eSleek, Intuitive Design\u003c\/h3\u003e\n\u003cp\u003eThe Sigma BF marks a turning point in mirrorless camera design. Every point of user interface from body to screen has been reconceived to streamline the image creation process, allowing users unprecedented access to the beauty unfolding in front of the lens.\u003c\/p\u003e\n\u003ch3\u003eStreamlined UI\u003c\/h3\u003e\n\u003cp\u003eThe primary user interface of the live-view rear touchscreen has been redesigned for distraction-free shooting, where exposure settings like shutter speed, aperture, ISO sensitivity, EV compensation, and color mode all find their natural home. The live-view itself has been streamlined to allow shooters maximum focus on their subject, while a small status monitor above the rear dial pad clearly displays the active settings. All other options and settings are accessible via three simple menu screens.\u003c\/p\u003e\n\u003ch3\u003ePhysical Design\u003c\/h3\u003e\n\u003cp\u003eThe Sigma BF's forward-looking physical design concentrates all controls into just three buttons: a dial, a shutter release, and a power button. A rear dial pad allows further navigational control. All of these physical controls are pressure-sensitive haptics-driven, giving the user intuitive response to their touch. The camera also features a first-of-its-kind \"unibody\" build, as each camera is carved from a single block of aluminum, yielding a balanced, uniform weight distribution. A thumb grip in the upper right corner adds a small but crucial ergonomic element for handling the camera.\u003c\/p\u003e\n\u003ch3\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eA 24.6MP full-frame, backside-illuminated CMOS sensor powers the camera's high-end imagery. The camera has a wide dynamic range, a native ISO sensitivity of 100-102400 expandable on the low end to ISO 6, and the large sensor which benefits both low-light performance and low depth-of-field effects. Continuous shooting is possible at up to 8 fps, and the camera produces 14-bit DNG lossless RAW files in addition to JPEGs. A hybrid phase detection and contrast detection autofocus ensures quick and accurate focusing. Additionally, remote shutter release is possible with the optional CR-51 cable release.\u003c\/p\u003e\n\u003ch3\u003eInternal Storage\u003c\/h3\u003e\n\u003cp\u003eOne of the notable features of the Sigma BF is its 230GB of internal storage, translating to more than 14,000 JPEG files, 4,300 uncompressed RAW files, or 2.5 hours of video. 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The USB-C terminal also allows users to output video and use the Sigma BF as a webcam.\u003c\/p\u003e\n\u003ch3\u003eL-Mount Compatibility\u003c\/h3\u003e\n\u003cp\u003eSigma is a member of the L-Mount Alliance, and the BF's L-mount for lenses affords users access to the broad range of high-quality lenses from Sigma, Panasonic, and Leica.\u003c\/p\u003e\n\u003ch3\u003eColor Modes\u003c\/h3\u003e\n\u003cp\u003eThe Sigma BF comes pre-loaded with 13 different Color modes, allowing users to apply color filters to their imagery for expanded creativity: Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, and Monochrome.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42521344901222,"sku":"C46900","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1740349550_1881808.jpg?v=1740523603"},{"product_id":"panasonic-lumix-s1r-ii-mirrorless-camera","title":"Panasonic Lumix S1R II Mirrorless Camera","description":"\u003cp\u003eThe Panasonic Lumix S1R II Mirrorless Camera is designed to be the ideal partner for creators who wish to pursue high-resolution artistic expressions. 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With 8K resolution, advanced color science, and RAW recording, this camera delivers exceptional detail, dynamic range, and post-production flexibility, becoming a true hybrid camera. 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Designed to work in a variety of lighting conditions, this camera offers a flexible ISO 100-32000 range that is expandable to ISO 51200. Using the full width of the sensor, 6K oversampled UHD 4K 30p video recording is supported as is Full HD 1080 120p for slow motion playback. Capable of processing high-speed bursts and high-resolution 4K video, the DIGIC X image processor also supports up to 15 fps continuous shooting via its silent electronic shutter.\u003c\/p\u003e\n\u003ch3\u003eEnhanced Dual Pixel CMOS AF II\u003c\/h3\u003e\n\u003cp\u003eFeaturing 651 high-precision autofocus zones, the advanced Dual Pixel CMOS AF II system provides fast and accurate focusing performance. 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This will not guarantee the item will be sold for the pre-order price listed and it is not the actual price of the product. Customers placing a deposit must also pay the remaining balance before the item can be shipped. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff0000;\"\u003ePre-Order Deposit\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003ePre-Order deposit is non-refundable\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eDeposit goes towards final price\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eThis Pre-Order is a non physical item\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003ePhysical shipment and shipment cost of an item will occur when remaining payment is finalized.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eAn email notification will be sent with a link that requires you to pay the remaining balance of the product when shipment is ready.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Aputure STORM XT52 is a revolutionary high-output 5,200W full-white LED point-source fixture designed to redefine professional lighting standards. As the most;powerful tunable white LED point-source fixture, the STORM XT52 delivers output greater than a 6,000W HMI. \u003cspan\u003eIts electronic mount is compatible with Aputure's innovative electronic modifiers that provide enhanced optimization and motorized control. This version of the XT52 fixture comes with a bare ends cable and two flight cases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEngineered with Aputure’s revolutionary BLAIR chipset, the XT52 incorporates an advanced diode mix of Blue, Lime, Amber, Indigo, and Red, allowing for exceptional spectral accuracy and refined white-point control\u003c\/p\u003e\n\u003cp\u003eThe STORM XT52 features a fully tunable CCT range from 2,500K to 10,000K, with support for both CIE Daylight and Blackbody white light standards, ensuring unmatched flexibility across any lighting environment. Its advanced white-point control system includes ±G 100% ASC MITC range green-magenta tint correction, allowing seamless integration into mixed-lighting environments.\u003c\/p\u003e\n\u003cp\u003eWith third-generation Aputure HyperDrive LED driver technology, the XT52 achieves flicker-free performance at all color temperatures above 20% output, ensuring smooth intensity transitions and precision control for high-speed cinematography\u003c\/p\u003e\n\u003ch3\u003eChipset and Color Accuracy\u003c\/h3\u003e\n\u003cp\u003eIn addition to a 5200W output that rivals industry-standard 6000W HMIs, the XT52 light is equipped with a powerful BLAIR (blue, lime, amber, indigo, and red) chipset that delivers exceptionally accurate color reproduction across its tunable CCT range of 2500 to 10,000K. It offers a CRI and TLCI of \u0026gt;96 and SSI of daylight and tungsten at 86 and 87, respectively. Its advanced white-point control offers ±G 100% ASC MITC range green-magenta color correction, for seamless integration in mixed-lighting environments. The XT52 outputs up to 103,500 lux at a distance of 9.8' using its included 35° reflector.\u003c\/p\u003e\n\u003ch3\u003eExpanded Mounting\u003c\/h3\u003e\n\u003cp\u003eThe XT52's innovative electronic Aputure mount is designed for heavy-duty modifiers, including the optional CF14 Motorized Fresnel, guaranteeing stability, durability, and optimized color accuracy while supporting motorized focus control. Take full advantage of this mount's versatility by swapping out the included 35° reflector with one of Aputure's optional 20 and 50° reflectors.\u003c\/p\u003e\n\u003ch3\u003eAvailable Power Options\u003c\/h3\u003e\n\u003cp\u003eDepending on your location, the XT52 can be powered from household circuits, but please note that it requires 180V or greater to operate at full power. This XT52 fixture comes with a bare ends cable, letting users customize their plug solutions. It includes a 24.6' head cable and offers head-cable daisy chaining at lengths up to 147.6'.\u003c\/p\u003e\n\u003ch3\u003eProfessional Connectivity\u003c\/h3\u003e\n\u003cp\u003eDesigned with professionals in mind, the XT52 offers advanced connectivity options, including Sidus Link app control, LumenRadio CRMX, Art-Net and sACN via etherCON, and 16-bit DMX512 input and output. These features seamlessly integrate the fixture into existing lighting workflows, providing lighting technicians and programmers with complete control over its operation.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Liquid Cooling Technology\u003c\/h3\u003e\n\u003cp\u003eTo effectively manage heat dissipation and maximize light output, the XT52 incorporates advanced liquid cooling technology. This innovative design guarantees that users can access the full potential of the fixture's light output while maintaining optimal performance.\u003c\/p\u003e\n\u003ch3\u003eFlexible Flicker-Free Performance\u003c\/h3\u003e\n\u003cp\u003eThe flexible XT52 fixture supports both CIE daylight or Blackbody white light standards and uses a HyperDrive LED driver to ensure flicker-free performance at all color temperatures above 20% output.\u003c\/p\u003e\n\u003ch3\u003eAdditional Features\u003c\/h3\u003e\n\u003cp\u003eThe XT52's design features a stackable lamp head and a removable manual yoke, streamlining your storage options. 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Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 color science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCinematic ultra-large format 2.2:1 aspect sensor with a massive 16 stops of dynamic range\u003c\/li\u003e\n\u003cli\u003eLightweight camera body with industry-standard connections\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW for real-time 17K editing\u003c\/li\u003e\n\u003cli\u003eGeneration 5 Color Science with new film curve\u003c\/li\u003e\n\u003cli\u003eInterchangeable lens mount with PL, LPL, EF, and Hasselblad options\u003c\/li\u003e\n\u003cli\u003eBuilt-in OLPF for reduced moire and aliasing\u003c\/li\u003e\n\u003cli\u003eIncludes Blackmagic Media Module 8TB for recording\u003c\/li\u003e\n\u003cli\u003eCompatible with the Blackmagic Media Dock\u003c\/li\u003e\n\u003cli\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/li\u003e\n\u003cli\u003eBuilt-in RTMP and SRT live streaming\u003c\/li\u003e\n\u003cli\u003eOptional Blackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eIncludes DaVinci Resolve Studio for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNew 17K Sensor\u003c\/h3\u003e\n\u003cp\u003eThe new URSA Cine 17K 65 camera features a new 65mm sensor designed for high-quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture provides equal amounts of red, green, and blue pixels to deliver rich colors at all resolutions.\u003c\/p\u003e\n\u003ch3\u003eStorage Options\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and color correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras, all at the same time.\u003c\/p\u003e\n\u003cp\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or up to 20 hours in 4K. Customers can also use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Cloud Storage\u003c\/h3\u003e\n\u003cp\u003eThe URSA Cine 17K features built-in ultra-fast Cloud Store technology, allowing customers to record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. It supports creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is available back at the studio in real time.\u003c\/p\u003e\n\u003ch3\u003eLens Options\u003c\/h3\u003e\n\u003cp\u003eThe PL lens mount comes preinstalled on the camera body, and it is user-interchangeable for optional PL, LPL, EF, and Hasselblad mounts. An active Hasselblad HC lens mount is included with the camera for use with medium-format still lenses. Each mount has contact pins to read lens metadata for monitoring and post-production.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In OLPF\u003c\/h3\u003e\n\u003cp\u003eThe camera includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response, which, when combined with Blackmagic RAW processing for the URSA Cine 17K, preserves color and critical image detail for new levels of image fidelity.\u003c\/p\u003e\n\u003ch3\u003eMonitoring Options\u003c\/h3\u003e\n\u003cp\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an external color status LCD on the other. There is also a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There's even a dedicated focus puller's mode to help customers get perfect focus. The URSA Cine 17K supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003c\/p\u003e\n\u003ch3\u003eAccessory and Control Ports\u003c\/h3\u003e\n\u003cp\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera provide record start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003c\/p\u003e\n\u003ch3\u003eStreaming Options\u003c\/h3\u003e\n\u003cp\u003eYou can live stream directly from the camera using its hardware streaming engine, which supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G connection for mobile data.\u003c\/p\u003e\n\u003ch3\u003eAmple Power\u003c\/h3\u003e\n\u003cp\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. The camera includes a 250W power supply and a B-mount battery plate, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's also an additional 12V 2-pin LEMO output on the rear of the camera to power lower-voltage accessories.\u003c\/p\u003e\n\u003ch3\u003eVersatile Body Design\u003c\/h3\u003e\n\u003cp\u003eThe evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003c\/p\u003e\n\u003ch3\u003eComplete Base Package\u003c\/h3\u003e\n\u003cp\u003eEvery camera comes in a rugged Pelican case with custom-cut foam to fit the camera and its accessories. It also includes a top handle, antennas for high-speed Wi-Fi, a baseplate, and a 24V power supply.\u003c\/p\u003e\n\u003ch3\u003eBlackmagic Design URSA Cine EVF\u003c\/h3\u003e\n\u003cp\u003eAdd the high-resolution URSA Cine EVF to your Blackmagic Design URSA Cine 12K or PYXIS 6K camera for crisp, clear images, making shooting easy in any environment. The EVF features a 1920 x 1080 color OLED display supporting up to 60 fps to view your image with status information, frame guides, and even a built-in focus chart to help you achieve the sharpest focus. It mounts on top of your camera using the included bracket assembly, which includes a 15mm rod clamp, a 19mm cross rod, and two carbon fiber 15mm rods. A tally light allows you to clearly see when the camera is rolling.\u003c\/p\u003e\n\u003cp\u003eThe built-in proximity sensor switches on the EVF only when it's in use to save power, and it features a 4-element glass diopter that provides a range of adjustments. The EVF connects to the URSA Cine 12K or PYXIS 6K using a USB-C cable, which is also used for firmware updates. Also included are two different rubber eyecups to give you options for comfort and size.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE: The Blackmagic URSA Cine Handle is required for mounting the EVF onto Blackmagic URSA Cine 12K and Blackmagic PYXIS 6K cameras.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eCompatibility\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Cine 12K LF cameras\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS 6K cameras\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Handle\u003c\/li\u003e\n\u003cli\u003eThe included Blackmagic URSA Cine EVF Extension is compatible with standard extended viewfinder supports\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42613891596390,"sku":"CINEURSAA17K65BODY","price":24195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1743777670_1890643.jpg?v=1743802066"},{"product_id":"blackmagic-design-pyxis-12k-cinema-box-camera-arri-pl","title":"Blackmagic Design PYXIS 12K Cinema Box Camera (ARRI PL)","description":"\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera (ARRI PL) pairs a full-frame 12K RGBW sensor—renowned for its vibrant color reproduction and true-to-life skin tones—with the compact, adaptable form factor of the PYXIS 6K. It boasts an ARRI PL lens mount, a 36 x 24mm sensor, an impressive 16-stop dynamic range, and modular side plates for customization.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\u003ch3\u003eCustomizable Rigging\u003c\/h3\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources.\u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42613904834662,"sku":"CINECAMCPYXO12LFPL","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1743775866_1890649.jpg?v=1743802265"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-canon-ef","title":"Blackmagic Design PYXIS 12K Cinema Camera (Canon EF)","description":"\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Camera (Canon EF) pairs a full-frame 12K RGBW sensor—renowned for its vibrant color reproduction and true-to-life skin tones—with the compact, adaptable form factor of the PYXIS 6K. It boasts an Canon EF lens mount, a 36 x 24mm sensor, an impressive 16-stop dynamic range, and modular side plates for customization.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\u003ch3\u003eCustomizable Rigging\u003c\/h3\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources.\u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42613911191654,"sku":"CINECAMCPYXN12LFEF","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1743775844_1890648.jpg?v=1743802386"},{"product_id":"fujifilm-x-half-premium-compact-camera-black","title":"FUJIFILM X Half Digital Compact Camera (Black)","description":"\u003cp\u003eReviving the spirit of half-frame film photography in a digital format, the FUJIFILM X-Half is a compact and stylish point-and-shoot camera featuring a distinctive vertical 1-inch sensor, a fixed wide-angle prime lens, and a range of film-inspired shooting modes designed to capture the charm and spontaneity of analog photography.\u003c\/p\u003e\n\u003ch3\u003e18MP 1\" Sensor, 3:4 Vertical Aspect Ratio\u003c\/h3\u003e\n\u003cp\u003eRiffing on the half-frame concept from the film world, the X half features an appropriately sleek 1\" sensor, which is vertically oriented, that produces 18MP 3:4 stills and videos. This sensor works alongside the Film Simulation modes to produce filmic and expressive images and is benefitted by a +\/-3 EV exposure compensation dial and manual exposure control settings that are adjustable via the lens's aperture ring and from the rear touchscreen.\u003c\/p\u003e\n\u003ch3\u003eFilm Camera Mode\u003c\/h3\u003e\n\u003cp\u003eAnother nod to the film world, the X half can be configured to record in Film Camera Mode: a shooting style that requires you to choose one specific Film Simulation setting and a 36, 54, or 72-shot \"roll\" of film, with the results only visible after you've finished the roll and digitally \"developed\" your shots using the FUJIFILM app or transferred the files to your computer. Also, after finishing your roll, the camera will automatically produce an additional contact sheet image, fit with film strip borders, to review all of your shots at a glance.\u003c\/p\u003e\n\u003cp\u003eWhen working in this mode, the rear LCD will only display a frame counter, an AF\/MF toggle, an option to imprint a timestamp onto the images (a la a point-and-shoot film camera), and a zone focusing scale if working with manual focus—image previews and reviews are disabled. You'll need to use the built-in Frame Advance Lever to advance frames, and this shooting method requires you to frame your compositions solely using the optical window viewfinder and use either autofocus with no confirmation or zone focus manually.\u003c\/p\u003e\n\u003ch3\u003eFilm Simulation Modes\u003c\/h3\u003e\n\u003cp\u003eIntegral to and pairing perfectly with the Film Camera Mode, the X half heavily emphasizes the use of their Film Simulation modes while shooting. The secondary sub LCD next to the main rear LCD mimics the look of a rear window on a film camera to check which kind of film you have loaded, and this small touchscreen display also allows you to intuitively cycle through the different Film Simulation modes by swiping up or down.\u003c\/p\u003e\n\u003cp\u003eThere are 13 distinct Film Simulations, including the ultra-vibrant Velvia, the nostalgic Classic Chrome, and the artistic black-and-white Acros; and the Grain Effect setting allows you to adjust the apparent graininess of each film type. Additionally, there are 26 filters to add on top of the Film Simulations, all inspired by the distinct traits of film, including Light Leak, Halation, Expired Film, and Double Exposure.\u003c\/p\u003e\n\u003ch3\u003e2-in-1 Shooting Mode\u003c\/h3\u003e\n\u003cp\u003eA common method of sharing half-frame film photos is to show two sequential frames next to each other as a diptych; since two half frames comprise a single full frame, this method makes it easier for film trimming, printing, and sharing. Mimicking this, the X half has a 2-in-1 function to automatically create in-camera diptychs from two sequential exposures—either photo or video. After shooting the first frame, use the Frame Advance Lever to activate this mode and then the second subsequent frame will form the finished diptych, resulting in a single file. Custom settings allow you to adjust the background color, border width, and border style of the diptych composition.\u003c\/p\u003e\n\u003ch3\u003eWide-Angle Prime Lens\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFixed FUJINON Aspherical 10.8mm f\/2.8 lens offers a 32mm equivalent focal length—this versatile wide-angle field of view suits everyday shooting and working with a variety of subjects.\u003c\/li\u003e\n\u003cli\u003eManual aperture ring surrounds the lens and incorporates a tab to make aperture switching easier. Also, there's an 'A' position on the ring to force the camera into shutter-speed priority or program exposure modes.\u003c\/li\u003e\n\u003cli\u003eFront focusing ring for manually adjusting focus down to a minimum 4\" distance. When working in the Film Mode, this ring can still shift focus with the set distance shown on the zone focusing scale.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDesign\u003c\/h3\u003e\n\u003cp\u003eMeant to be especially compact and portable, the X half incorporates a handful of additional unique design elements to make it more fun to use, more akin to shooting film, and faster to operate for on-the-fly shooting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptical window viewfinder is placed in the corner to mimic the look of a rangefinder; this simple finder matches the field of view and aspect ratio and does not offer any shooting or focusing information. There is an eye sensor that automatically turns off the rear LCD when using the viewfinder.\u003c\/li\u003e\n\u003cli\u003eRear LCD is vertically oriented to match the vertical sensor and features a touchscreen design to navigate the menu and configure shooting settings.\u003c\/li\u003e\n\u003cli\u003eLocated next to the main LCD is a smaller pill-shaped sub LCD touchscreen that commonly displays the chosen Film Simulation mode in use; when in the menu, it is used for navigation.\u003c\/li\u003e\n\u003cli\u003eThe camera lacks a Menu button, opting instead to use swiping methods on the rear touchscreen to access different areas of the menu—swiping down from the top reveals the Film Camera Mode and wireless connection options; swiping from the right accesses the main menu, with category options selectable from the separate sub LCD display; and swiping up from the bottom opens a quick menu for faster settings switching on select parameters.\u003c\/li\u003e\n\u003cli\u003eShutter button on the top plate is surrounded by an exposure compensation dial, allowing for +\/-3 EV adjustment. Also, the shutter release button is threaded to accept conventional cable releases.\u003c\/li\u003e\n\u003cli\u003eIntegrated Frame Advance Lever mimics the function of winding on a film camera. When shooting in the Film Camera Mode, this lever lets you advance to the next frame and, when shooting normally, is used to active the 2-in-1 shooting mode. Additionally, when pressed into the body, the last photo is displayed on the LCD for review without entering the playback mode.\u003c\/li\u003e\n\u003cli\u003eBuilt-in flash to illuminate subjects in low-light conditions.\u003c\/li\u003e\n\u003cli\u003eCold shoe on the top plate can be used to hold optional accessories, such as external lights.\u003c\/li\u003e\n\u003cli\u003eSingle SD memory card slot.\u003c\/li\u003e\n\u003cli\u003ePowered by an NP-W126S rechargeable lithium-ion battery.\u003c\/li\u003e\n\u003cli\u003eUSB-C port on the side of the camera can be used for battery charging, file transferring, and for audio monitoring via headphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVertical Video\u003c\/h3\u003e\n\u003cp\u003eWhile clearly paying homage to a film photography camera, this camera can also be used to record video that's perfectly formatted for sharing straight to social media, thanks to its vertical orientation and small file size. The unique sensor records 1080 x 1440 at 24 fps, there are dedicated slow-motion settings up to 200%, and there's a built-in stereo mic on top of the camera.\u003c\/p\u003e\n\u003ch3\u003eSharing and Printing\u003c\/h3\u003e\n\u003cp\u003eA camera built for sharing, it can wirelessly connect directly to an optional INSTAX printer for immediate printing and sharing of your shots. The dedicated X half app also makes it easy to digitally share your photos or videos and this app can also be used to develop your images made in the Film Camera mode.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42775822893158,"sku":"16954071","price":549.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1747874840_1896520.jpg?v=1747928424"},{"product_id":"fujifilm-x-half-premium-compact-camera-silver","title":"FUJIFILM X Half Digital Compact Camera (Silver)","description":"\u003cp\u003eReviving the spirit of half-frame film photography in a digital format, the FUJIFILM X-Half is a compact and stylish point-and-shoot camera featuring a distinctive vertical 1-inch sensor, a fixed wide-angle prime lens, and a range of film-inspired shooting modes designed to capture the charm and spontaneity of analog photography.\u003c\/p\u003e\n\u003ch3\u003e18MP 1\" Sensor, 3:4 Vertical Aspect Ratio\u003c\/h3\u003e\n\u003cp\u003eRiffing on the half-frame concept from the film world, the X half features an appropriately sleek 1\" sensor, which is vertically oriented, that produces 18MP 3:4 stills and videos. This sensor works alongside the Film Simulation modes to produce filmic and expressive images and is benefitted by a +\/-3 EV exposure compensation dial and manual exposure control settings that are adjustable via the lens's aperture ring and from the rear touchscreen.\u003c\/p\u003e\n\u003ch3\u003eFilm Camera Mode\u003c\/h3\u003e\n\u003cp\u003eAnother nod to the film world, the X half can be configured to record in Film Camera Mode: a shooting style that requires you to choose one specific Film Simulation setting and a 36, 54, or 72-shot \"roll\" of film, with the results only visible after you've finished the roll and digitally \"developed\" your shots using the FUJIFILM app or transferred the files to your computer. Also, after finishing your roll, the camera will automatically produce an additional contact sheet image, fit with film strip borders, to review all of your shots at a glance.\u003c\/p\u003e\n\u003cp\u003eWhen working in this mode, the rear LCD will only display a frame counter, an AF\/MF toggle, an option to imprint a timestamp onto the images (a la a point-and-shoot film camera), and a zone focusing scale if working with manual focus—image previews and reviews are disabled. You'll need to use the built-in Frame Advance Lever to advance frames, and this shooting method requires you to frame your compositions solely using the optical window viewfinder and use either autofocus with no confirmation or zone focus manually.\u003c\/p\u003e\n\u003ch3\u003eFilm Simulation Modes\u003c\/h3\u003e\n\u003cp\u003eIntegral to and pairing perfectly with the Film Camera Mode, the X half heavily emphasizes the use of their Film Simulation modes while shooting. The secondary sub LCD next to the main rear LCD mimics the look of a rear window on a film camera to check which kind of film you have loaded, and this small touchscreen display also allows you to intuitively cycle through the different Film Simulation modes by swiping up or down.\u003c\/p\u003e\n\u003cp\u003eThere are 13 distinct Film Simulations, including the ultra-vibrant Velvia, the nostalgic Classic Chrome, and the artistic black-and-white Acros; and the Grain Effect setting allows you to adjust the apparent graininess of each film type. Additionally, there are 26 filters to add on top of the Film Simulations, all inspired by the distinct traits of film, including Light Leak, Halation, Expired Film, and Double Exposure.\u003c\/p\u003e\n\u003ch3\u003e2-in-1 Shooting Mode\u003c\/h3\u003e\n\u003cp\u003eA common method of sharing half-frame film photos is to show two sequential frames next to each other as a diptych; since two half frames comprise a single full frame, this method makes it easier for film trimming, printing, and sharing. Mimicking this, the X half has a 2-in-1 function to automatically create in-camera diptychs from two sequential exposures—either photo or video. After shooting the first frame, use the Frame Advance Lever to activate this mode and then the second subsequent frame will form the finished diptych, resulting in a single file. Custom settings allow you to adjust the background color, border width, and border style of the diptych composition.\u003c\/p\u003e\n\u003ch3\u003eWide-Angle Prime Lens\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFixed FUJINON Aspherical 10.8mm f\/2.8 lens offers a 32mm equivalent focal length—this versatile wide-angle field of view suits everyday shooting and working with a variety of subjects.\u003c\/li\u003e\n\u003cli\u003eManual aperture ring surrounds the lens and incorporates a tab to make aperture switching easier. Also, there's an 'A' position on the ring to force the camera into shutter-speed priority or program exposure modes.\u003c\/li\u003e\n\u003cli\u003eFront focusing ring for manually adjusting focus down to a minimum 4\" distance. When working in the Film Mode, this ring can still shift focus with the set distance shown on the zone focusing scale.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDesign\u003c\/h3\u003e\n\u003cp\u003eMeant to be especially compact and portable, the X half incorporates a handful of additional unique design elements to make it more fun to use, more akin to shooting film, and faster to operate for on-the-fly shooting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptical window viewfinder is placed in the corner to mimic the look of a rangefinder; this simple finder matches the field of view and aspect ratio and does not offer any shooting or focusing information. There is an eye sensor that automatically turns off the rear LCD when using the viewfinder.\u003c\/li\u003e\n\u003cli\u003eRear LCD is vertically oriented to match the vertical sensor and features a touchscreen design to navigate the menu and configure shooting settings.\u003c\/li\u003e\n\u003cli\u003eLocated next to the main LCD is a smaller pill-shaped sub LCD touchscreen that commonly displays the chosen Film Simulation mode in use; when in the menu, it is used for navigation.\u003c\/li\u003e\n\u003cli\u003eThe camera lacks a Menu button, opting instead to use swiping methods on the rear touchscreen to access different areas of the menu—swiping down from the top reveals the Film Camera Mode and wireless connection options; swiping from the right accesses the main menu, with category options selectable from the separate sub LCD display; and swiping up from the bottom opens a quick menu for faster settings switching on select parameters.\u003c\/li\u003e\n\u003cli\u003eShutter button on the top plate is surrounded by an exposure compensation dial, allowing for +\/-3 EV adjustment. Also, the shutter release button is threaded to accept conventional cable releases.\u003c\/li\u003e\n\u003cli\u003eIntegrated Frame Advance Lever mimics the function of winding on a film camera. When shooting in the Film Camera Mode, this lever lets you advance to the next frame and, when shooting normally, is used to active the 2-in-1 shooting mode. Additionally, when pressed into the body, the last photo is displayed on the LCD for review without entering the playback mode.\u003c\/li\u003e\n\u003cli\u003eBuilt-in flash to illuminate subjects in low-light conditions.\u003c\/li\u003e\n\u003cli\u003eCold shoe on the top plate can be used to hold optional accessories, such as external lights.\u003c\/li\u003e\n\u003cli\u003eSingle SD memory card slot.\u003c\/li\u003e\n\u003cli\u003ePowered by an NP-W126S rechargeable lithium-ion battery.\u003c\/li\u003e\n\u003cli\u003eUSB-C port on the side of the camera can be used for battery charging, file transferring, and for audio monitoring via headphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVertical Video\u003c\/h3\u003e\n\u003cp\u003eWhile clearly paying homage to a film photography camera, this camera can also be used to record video that's perfectly formatted for sharing straight to social media, thanks to its vertical orientation and small file size. The unique sensor records 1080 x 1440 at 24 fps, there are dedicated slow-motion settings up to 200%, and there's a built-in stereo mic on top of the camera.\u003c\/p\u003e\n\u003ch3\u003eSharing and Printing\u003c\/h3\u003e\n\u003cp\u003eA camera built for sharing, it can wirelessly connect directly to an optional INSTAX printer for immediate printing and sharing of your shots. The dedicated X half app also makes it easy to digitally share your photos or videos and this app can also be used to develop your images made in the Film Camera mode.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42775822925926,"sku":"16954095","price":549.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1747874840_1892080.jpg?v=1747928378"},{"product_id":"fujifilm-x-half-premium-compact-camera-charcoal-silver","title":"FUJIFILM X Half Digital Compact Camera (Charcoal Silver)","description":"\u003cp\u003eReviving the spirit of half-frame film photography in a digital format, the FUJIFILM X-Half is a compact and stylish point-and-shoot camera featuring a distinctive vertical 1-inch sensor, a fixed wide-angle prime lens, and a range of film-inspired shooting modes designed to capture the charm and spontaneity of analog photography.\u003c\/p\u003e\n\u003ch3\u003e18MP 1\" Sensor, 3:4 Vertical Aspect Ratio\u003c\/h3\u003e\n\u003cp\u003eRiffing on the half-frame concept from the film world, the X half features an appropriately sleek 1\" sensor, which is vertically oriented, that produces 18MP 3:4 stills and videos. This sensor works alongside the Film Simulation modes to produce filmic and expressive images and is benefitted by a +\/-3 EV exposure compensation dial and manual exposure control settings that are adjustable via the lens's aperture ring and from the rear touchscreen.\u003c\/p\u003e\n\u003ch3\u003eFilm Camera Mode\u003c\/h3\u003e\n\u003cp\u003eAnother nod to the film world, the X half can be configured to record in Film Camera Mode: a shooting style that requires you to choose one specific Film Simulation setting and a 36, 54, or 72-shot \"roll\" of film, with the results only visible after you've finished the roll and digitally \"developed\" your shots using the FUJIFILM app or transferred the files to your computer. Also, after finishing your roll, the camera will automatically produce an additional contact sheet image, fit with film strip borders, to review all of your shots at a glance.\u003c\/p\u003e\n\u003cp\u003eWhen working in this mode, the rear LCD will only display a frame counter, an AF\/MF toggle, an option to imprint a timestamp onto the images (a la a point-and-shoot film camera), and a zone focusing scale if working with manual focus—image previews and reviews are disabled. You'll need to use the built-in Frame Advance Lever to advance frames, and this shooting method requires you to frame your compositions solely using the optical window viewfinder and use either autofocus with no confirmation or zone focus manually.\u003c\/p\u003e\n\u003ch3\u003eFilm Simulation Modes\u003c\/h3\u003e\n\u003cp\u003eIntegral to and pairing perfectly with the Film Camera Mode, the X half heavily emphasizes the use of their Film Simulation modes while shooting. The secondary sub LCD next to the main rear LCD mimics the look of a rear window on a film camera to check which kind of film you have loaded, and this small touchscreen display also allows you to intuitively cycle through the different Film Simulation modes by swiping up or down.\u003c\/p\u003e\n\u003cp\u003eThere are 13 distinct Film Simulations, including the ultra-vibrant Velvia, the nostalgic Classic Chrome, and the artistic black-and-white Acros; and the Grain Effect setting allows you to adjust the apparent graininess of each film type. Additionally, there are 26 filters to add on top of the Film Simulations, all inspired by the distinct traits of film, including Light Leak, Halation, Expired Film, and Double Exposure.\u003c\/p\u003e\n\u003ch3\u003e2-in-1 Shooting Mode\u003c\/h3\u003e\n\u003cp\u003eA common method of sharing half-frame film photos is to show two sequential frames next to each other as a diptych; since two half frames comprise a single full frame, this method makes it easier for film trimming, printing, and sharing. Mimicking this, the X half has a 2-in-1 function to automatically create in-camera diptychs from two sequential exposures—either photo or video. After shooting the first frame, use the Frame Advance Lever to activate this mode and then the second subsequent frame will form the finished diptych, resulting in a single file. Custom settings allow you to adjust the background color, border width, and border style of the diptych composition.\u003c\/p\u003e\n\u003ch3\u003eWide-Angle Prime Lens\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFixed FUJINON Aspherical 10.8mm f\/2.8 lens offers a 32mm equivalent focal length—this versatile wide-angle field of view suits everyday shooting and working with a variety of subjects.\u003c\/li\u003e\n\u003cli\u003eManual aperture ring surrounds the lens and incorporates a tab to make aperture switching easier. Also, there's an 'A' position on the ring to force the camera into shutter-speed priority or program exposure modes.\u003c\/li\u003e\n\u003cli\u003eFront focusing ring for manually adjusting focus down to a minimum 4\" distance. When working in the Film Mode, this ring can still shift focus with the set distance shown on the zone focusing scale.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDesign\u003c\/h3\u003e\n\u003cp\u003eMeant to be especially compact and portable, the X half incorporates a handful of additional unique design elements to make it more fun to use, more akin to shooting film, and faster to operate for on-the-fly shooting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptical window viewfinder is placed in the corner to mimic the look of a rangefinder; this simple finder matches the field of view and aspect ratio and does not offer any shooting or focusing information. There is an eye sensor that automatically turns off the rear LCD when using the viewfinder.\u003c\/li\u003e\n\u003cli\u003eRear LCD is vertically oriented to match the vertical sensor and features a touchscreen design to navigate the menu and configure shooting settings.\u003c\/li\u003e\n\u003cli\u003eLocated next to the main LCD is a smaller pill-shaped sub LCD touchscreen that commonly displays the chosen Film Simulation mode in use; when in the menu, it is used for navigation.\u003c\/li\u003e\n\u003cli\u003eThe camera lacks a Menu button, opting instead to use swiping methods on the rear touchscreen to access different areas of the menu—swiping down from the top reveals the Film Camera Mode and wireless connection options; swiping from the right accesses the main menu, with category options selectable from the separate sub LCD display; and swiping up from the bottom opens a quick menu for faster settings switching on select parameters.\u003c\/li\u003e\n\u003cli\u003eShutter button on the top plate is surrounded by an exposure compensation dial, allowing for +\/-3 EV adjustment. Also, the shutter release button is threaded to accept conventional cable releases.\u003c\/li\u003e\n\u003cli\u003eIntegrated Frame Advance Lever mimics the function of winding on a film camera. When shooting in the Film Camera Mode, this lever lets you advance to the next frame and, when shooting normally, is used to active the 2-in-1 shooting mode. Additionally, when pressed into the body, the last photo is displayed on the LCD for review without entering the playback mode.\u003c\/li\u003e\n\u003cli\u003eBuilt-in flash to illuminate subjects in low-light conditions.\u003c\/li\u003e\n\u003cli\u003eCold shoe on the top plate can be used to hold optional accessories, such as external lights.\u003c\/li\u003e\n\u003cli\u003eSingle SD memory card slot.\u003c\/li\u003e\n\u003cli\u003ePowered by an NP-W126S rechargeable lithium-ion battery.\u003c\/li\u003e\n\u003cli\u003eUSB-C port on the side of the camera can be used for battery charging, file transferring, and for audio monitoring via headphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVertical Video\u003c\/h3\u003e\n\u003cp\u003eWhile clearly paying homage to a film photography camera, this camera can also be used to record video that's perfectly formatted for sharing straight to social media, thanks to its vertical orientation and small file size. The unique sensor records 1080 x 1440 at 24 fps, there are dedicated slow-motion settings up to 200%, and there's a built-in stereo mic on top of the camera.\u003c\/p\u003e\n\u003ch3\u003eSharing and Printing\u003c\/h3\u003e\n\u003cp\u003eA camera built for sharing, it can wirelessly connect directly to an optional INSTAX printer for immediate printing and sharing of your shots. The dedicated X half app also makes it easy to digitally share your photos or videos and this app can also be used to develop your images made in the Film Camera mode.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42775822958694,"sku":"16954112","price":549.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/fujifilm_16954112_x_half_digital_camera_1747874840_1896522.jpg?v=1747928330"},{"product_id":"sony-fx2-digital-cinema-camera","title":"Sony FX2 Digital Cinema Camera","description":"\u003cp\u003eThe AI-powered Sony FX2 features a 33MP full-frame sensor, merging the advanced video capabilities of Sony’s Cinema Line with enhanced still image performance — all in a compact, travel-friendly design. Perfect for content creators and filmmakers on the move, the FX2 includes an S-Log3 photo mode with optional LUT preview and a 3.68m-dot OLED viewfinder that tilts from 0° to 90° for flexible framing. Its integrated AI processing unit enables active image stabilization and real-time subject recognition, significantly boosting autofocus precision and composition accuracy.\u003c\/p\u003e\n\u003ch3\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h3\u003e\n\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 offers 7K oversampling with full pixel readout for exceptional sharpness and realism. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\n\u003ch3\u003eDCI 4K Video Recording\u003c\/h3\u003e\n\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling, or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3 and other camera sources. The FX2 features an intuitive Variable FPS setting for creating timelapses and slow-motion video, and can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\n\u003ch3\u003eHybrid Still-Image Capture\u003c\/h3\u003e\n\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during interal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAI Subject Recognition\u003c\/h3\u003e\n\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in auto focus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\n\u003ch3\u003eComprehensive Stabilization\u003c\/h3\u003e\n\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eImproved Accessibility\u003c\/h3\u003e\n\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation, and sports a tiltable design and 1.03m-Dot resolution. Unique to the FX2 is a built-in 3.68m-Dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible, rubber eye cup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eConnectivity \u0026amp; Compatibility\u003c\/h3\u003e\n\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit ethernet adaptor\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI output\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with separately available XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eErgonomic Design\u003c\/h3\u003e\n\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\n\u003ch4\u003eImproved FX2 Attributes\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCommon FX2\/FX3 Attributes\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit RAW output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42788860231782,"sku":"ILME-FX2B","price":2799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1748435573_IMG_2503529.jpg?v=1748452059"},{"product_id":"sony-fx2-digital-cinema-camera-with-xlr-handle-unit","title":"Sony FX2 Digital Cinema Camera with XLR Handle Unit","description":"\u003cp\u003eThe AI-powered Sony FX2 with XLR Handle Unit features a 33MP full-frame sensor, merging the advanced video capabilities of Sony’s Cinema Line with enhanced still image performance — all in a compact, travel-friendly design. Perfect for content creators and filmmakers on the move, the FX2 includes an S-Log3 photo mode with optional LUT preview and a 3.68m-dot OLED viewfinder that tilts from 0° to 90° for flexible framing. Its integrated AI processing unit enables active image stabilization and real-time subject recognition, significantly boosting autofocus precision and composition accuracy.\u003c\/p\u003e\n\u003ch3\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h3\u003e\n\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 offers 7K oversampling with full pixel readout for exceptional sharpness and realism. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\n\u003ch3\u003eDCI 4K Video Recording\u003c\/h3\u003e\n\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling, or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3 and other camera sources. The FX2 features an intuitive Variable FPS setting for creating timelapses and slow-motion video, and can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\n\u003ch3\u003eHybrid Still-Image Capture\u003c\/h3\u003e\n\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during interal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAI Subject Recognition\u003c\/h3\u003e\n\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in auto focus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\n\u003ch3\u003eComprehensive Stabilization\u003c\/h3\u003e\n\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eImproved Accessibility\u003c\/h3\u003e\n\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation, and sports a tiltable design and 1.03m-Dot resolution. Unique to the FX2 is a built-in 3.68m-Dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible, rubber eye cup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eConnectivity \u0026amp; Compatibility\u003c\/h3\u003e\n\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit ethernet adaptor\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI output\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with separately available XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eErgonomic Design\u003c\/h3\u003e\n\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\n\u003ch4\u003eImproved FX2 Attributes\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCommon FX2\/FX3 Attributes\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit RAW output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSony XLR-H1 XLR Handle Unit\u003c\/h3\u003e\n\u003cp\u003eAdd two XLR inputs and enjoy more ergonomic handling of your FX3, FX30, or FX2 with the Sony XLR-H1 XLR Handle Unit. It has two combo XLR-1\/4\" inputs along with a 3.5mm mic input. For easier operation, the handle has physical controls and dials located on the side with covers to prevent against accidental changes in the middle of a take.\u003c\/p\u003e\n\u003cp\u003eThere is a microphone holder that can be used to mount a shotgun microphone to your system. It securely mounts to the camera's Multi Interface Shoe with two screws. Additionally, there are three 1\/4\"-20 accessory mounting threads.\u003c\/p\u003e\n\u003ch4\u003eCompatibility\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSony FX3\u003c\/li\u003e\n\u003cli\u003eSony FX30\u003c\/li\u003e\n\u003cli\u003eSony FX2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42788861444198,"sku":"ILME-FX2","price":3199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1748431353_1898654.jpg?v=1748452059"},{"product_id":"sigma-aizu-prime-35mm-t1-3-cine-lens-pl-mount-feet","title":"Sigma AIZU Prime 35mm T1.3 Cine Lens (PL Mount, Feet)","description":"\u003cp\u003eThe Sigma AIZU Prime 35mm T1.3 Cine Lens (PL Mount, Feet) combines modern optical sharpness with a natural, organic cinematic rendering designed for professional filmmaking workflows. Moving away from the harder, more clinical look of the Sigma High Speed Prime series, the AIZU Prime delivers a softer, refined image with moderate sharpness, smooth tonal transitions, and graceful visual character suited for narrative, commercial, and cinematic productions.\u003c\/p\u003e\n\u003cp\u003eIts fast T1.3 maximum aperture provides excellent low-light performance and cinematic shallow depth of field for expressive subject separation and visual depth. Featuring a professional PL mount, the 35mm focal length is ideal for handheld shooting, environmental portraits, documentary work, and dynamic cinematic compositions. The AIZU series maintains consistent image characteristics and T1.3 performance across the full focal length range from 18mm to 125mm for seamless multi-lens workflows.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSuppressed distortion and focus breathing\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight bodies\u003c\/li\u003e\n\u003cli\u003eLuminous paint in all indicators\u003c\/li\u003e\n\u003cli\u003eZEISS eXtended Data compatibility\u003c\/li\u003e\n\u003cli\u003eExcellent close focusing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42803081117798,"sku":"36F980","price":8299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/PPhoto_AizuPrime_35mm_T13.jpg?v=1749055700"},{"product_id":"sigma-aizu-prime-50mm-t1-3-cine-lens-pl-mount-feet","title":"Sigma AIZU Prime 50mm T1.3 Cine Lens (PL Mount, Feet)","description":"\u003cp\u003eThe Sigma AIZU Prime 50mm T1.3 Cine Lens (PL Mount, Feet) combines modern optical sharpness with a natural, organic cinematic rendering designed for professional filmmaking. Unlike the sharper, more clinical look of the Sigma High Speed Prime series, the AIZU Prime delivers a softer, refined image with moderate sharpness, smooth tonal transitions, and graceful visual expression ideal for narrative, commercial, and cinematic productions.\u003c\/p\u003e\n\u003cp\u003eFeaturing a fast T1.3 maximum aperture, the lens excels in low-light environments while producing shallow depth of field and cinematic subject separation. Its professional PL mount ensures compatibility with a wide range of cinema camera systems, while the versatile 50mm focal length is well suited for dialogue scenes, portraits, interviews, and general cinematic shooting. The AIZU series maintains consistent image characteristics and T1.3 performance across the full focal length range from 18mm to 125mm for seamless multi-lens workflows.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSuppressed distortion and focus breathing\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight bodies\u003c\/li\u003e\n\u003cli\u003eLuminous paint in all indicators\u003c\/li\u003e\n\u003cli\u003eZEISS eXtended Data compatibility\u003c\/li\u003e\n\u003cli\u003eExcellent close focusing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42803081281638,"sku":"38F980","price":8299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/PPhoto_AizuPrime_50mm_T13.jpg?v=1749056600"},{"product_id":"sigma-17-40mm-f-1-8-dc-art-lens-l-mount","title":"Sigma 17-40mm f\/1.8 DC Art Lens (L-Mount)","description":"\u003cp\u003eThe Sigma 17-40mm f\/1.8 DC Art Lens (L-Mount) is a groundbreaking wide-to-normal zoom lens designed for APS-C mirrorless cameras, combining exceptional image quality with a fast constant f\/1.8 aperture throughout the entire zoom range. Delivering prime-like optical performance in a compact and lightweight design, the lens is ideal for photography, filmmaking, and hybrid content creation workflows.\u003c\/p\u003e\n\u003cp\u003eCovering versatile wide-angle to standard focal lengths, the 17-40mm range is well suited for interviews, documentary work, street photography, travel, and everyday shooting. Its video-optimized design supports smooth operation for modern content creators, while the bright f\/1.8 aperture enhances low-light performance and shallow depth of field control. Compact yet powerful, the Sigma 17-40mm f\/1.8 DC Art Lens offers professional-level performance while keeping camera setups lightweight and versatile\u003c\/p\u003e\n\u003ch3\u003eDesign and Performance\u003c\/h3\u003e\n\u003cp\u003eThe lens features a total of 17 elements in 11 groups, with four aspherical and four Special Low Dispersion elements to minimize flare and ghosting and suppress various aberrations. This results in an optical performance that meets or exceeds that of other Sigma Art lenses, including the 18-35mm f\/1.8 DC HSM Art lens. Along with its 11-blade, rounded diaphragm, the design promotes sharpness and a large, smooth bokeh when used wide open.\u003c\/p\u003e\n\u003cp\u003eIn addition to the f\/1.8 maximum aperture, the lens also maintains an 11\" minimum focusing distance across the entire zoom range. It achieves a maximum magnification ratio of 1:4.8 at its longest focal length, increasing depth of field and versatility in tight spaces.\u003c\/p\u003e\n\u003ch3\u003eVideo Production\u003c\/h3\u003e\n\u003cp\u003eDesigned with video creation in mind, the lens' bright f\/1.8 aperture and wide-to-normal zoom range make it a versatile tool ideal for single-shooter, run-and-gun setups. An internal zoom design maintains the overall length during use, making it easy to balance on gimbals. The design also suppresses focus breathing for smooth movement across the focal range. Sigma's high-speed, high-response linear actuator autofocus remains both quiet and accurate, while manual focusing is improved with click-and-lock mechanisms.\u003c\/p\u003e\n\u003cp\u003eThe L-mount lens also supports switching between linear and non-linear focus ring settings. With a rotation angle of 120 to 720° and a constant minimum focusing distance, operators will benefit from intuitive manual focusing at any focal length.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo AFL buttons\u003c\/li\u003e\n\u003cli\u003eFocus mode switch\u003c\/li\u003e\n\u003cli\u003eWater- and oil-repellent coating on front element\u003c\/li\u003e\n\u003cli\u003eDust- and splash-resistant design\u003c\/li\u003e\n\u003cli\u003eDurable brass bayonet mount\u003c\/li\u003e\n\u003cli\u003eCompatible with the USB Dock UD-11\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42872728911974,"sku":"214969","price":919.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/4801\/0854\/files\/1750121341_IMG_2511321.jpg?v=1750191383"},{"product_id":"atomos-ninja-tx-5-2-hdmi-12g-sdi-wi-fi-enabled-camera-monitor-recorder","title":"Atomos Ninja TX 5.2\" HDMI\/12G-SDI Wi-Fi-Enabled Camera Monitor\/Recorder","description":"\u003cp\u003eThe Atomos Ninja TX 5.2\" HDMI\/12G-SDI Wi-Fi-Enabled Camera Monitor\/Recorder is completely redesigned yet true to the renowned Ninja line, the Atomos Ninja TX 5.2\" Camera-to-Cloud Monitor\/Recorder is a powerful 5\" on-camera tool built for any production environment. It introduces major upgrades including dual 12G-SDI and HDMI 2.0 I\/O, integrated Connect technology for Wi-Fi TX\/RX streaming and direct cloud uploads, and a brighter 1500 cd\/m² touchscreen display. The Ninja TX also supports 8K30 raw recording, capture to CFexpress Type B or USB-C drives, RF\/Bluetooth timecode sync, and comes with a built-in NDI\/HX3 license. With ProRes RAW, DNx, H.265, and other codecs natively included, it delivers unmatched versatility straight out of the box.\u003c\/p\u003e\n\u003ch3\u003e5.2\" Touchscreen Display\u003c\/h3\u003e\n\u003cp\u003eThe 5.2\" IPS touchscreen of the Ninja TX offers a 1920 x 1080 resolution with a brighter 1500 cd\/m² display for rich, accurate color precision, even in broad daylight. The 8\/10-bit color processing, HDR support, Rec. 709 color gamut, and Calibrite ColorChecker Display Pro\/Plus calibration support ensure color-accurate, high-quality monitoring of your footage.\u003c\/p\u003e\n\u003ch3\u003eUpdated Linux Operating System\u003c\/h3\u003e\n\u003cp\u003eRedesigned for the new Ninja TX, the AtomOS Linux operating system provides updated tools, a sleeker design, and more efficient, cooler operation.\u003c\/p\u003e\n\u003ch3\u003eWireless Features\u003c\/h3\u003e\n\u003cp\u003eWith AtomX Connect features now built into the monitor, the Ninja TX now has expanded connectivity features.\u003c\/p\u003e\n\u003cp\u003eWith its built-in license, the Ninja TX can be fully integrated into an NDI environment, either as an NDI source, visible to all other authorized devices on the network, or as an NDI receiver, providing high-quality, low-bandwidth video. It also includes AirGlu timecode sync over RF or Bluetooth to sync all your cameras, audio recorders, and monitors, acting as a powerful timecode hub.\u003c\/p\u003e\n\u003ch3\u003eCamera to Cloud\u003c\/h3\u003e\n\u003cp\u003eThe new Camera to Cloud (C2C) workflow allows you to upload your video files directly from your Atomos monitor-recorder to the cloud. Atomos supports direct progressive upload to their own cloud platform, ATOMOSphere, as well as Adobe Frame.io and Dropbox. Unlike its predecessors, the Ninja TX has everything you need for C2C built in.\u003c\/p\u003e\n\u003ch3\u003eComprehensive Color and Metadata\u003c\/h3\u003e\n\u003cp\u003eThe Ninja TX supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.\u003c\/p\u003e\n\u003cp\u003eVia the HDMI input, you can record raw metadata such as white balance, exposure index, shutter speed\/angle, Iris F stop, ISO, gamma, and gamut.\u003c\/p\u003e\n\u003ch3\u003e12G-SDI and HDMI Input\/Output\u003c\/h3\u003e\n\u003cp\u003eHDMI input supports 8K video up to 30 fps, up to 4K60, and up to 1080p120. Loop-through passes the incoming HDMI signal from the camera to another device, for example, an external monitor, wireless transmitter, or live streaming encoder.\u003c\/p\u003e\n\u003cp\u003eThe addition of 12G-SDI means a wider range of cameras and production workflows is supported, and the SDI ports also support loop-through. 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