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Canon C300 Mark II ProRes RAW Atomos Kit with Accessories (PL Mount)

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$10,589.00
SKU:
1131C002-ATOMOS KIT
Availability:
Special Order
Weight:
20.00 LBS

Product Overview

OVERVIEW

INCLUDES FREE - Atomos Accessory Kit for Shogun/Ninja Inferno & Flame (VALUE: $295.00)

  • C300 Mark II Camera Body with PL Mount
  • Atomos Shogun Inferno
  • Accessory Kit for Atomos Shogun Inferno

The Canon C300 Mark II ProRes RAW Atomos Kit with Accessories from B&H is assembled to provide you with a 4K digital cine camera, a 10-bit external monitor that supports 10-bit, 4:2:2 ProRes and DNxHR recording, and an accessory kit to for that monitor. The camera features a Super35mm-sized sensor that helps create the familiar cinema depth of field, and incorporates a PL mount which allows you to use a wide variety of vintage and recent cine lenses. The camera captures DCI 4K images internally or to an external recorder.

The Atomos Shogun Inferno is a 1500 cd/m² bright monitor and recorder. It is suitable for use in bright interior and exterior locations without a hood. The Shogun Inferno features 12G-SDI connectors that allow it to input UHD 4K signals at up to 60 fps. It supports 10-bit, 4:2:2 ProRes, ProRes RAW, and DNxHR recording on 2.5" SSDs. Included is an accessory kit that includes a protective case with custom-cut foam, two L-series batteries, a fast charger, a USB 3.0 docking station, and four Master Caddy II drive caddies.

Canon Cinema EOS C300 Mark II Camcorder Body (PL Lens Mount)

The PL-mount Cinema EOS C300 Mark II Camcorder Body features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.

The PL lens mount features compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of EF Cinema lenses for PL mount. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

Firmware v.1.0.4.1.00

Firmware v.1.0.4.1.00 adds the following features:

  • Canon Log 3 achieves a dynamic range of 1600% with 14 stops of dynamic range, and can be ideal for middle end users that have a limited budget for post-production, and need quick turnaround.
  • A reduction in the dark noise level when shooting in Canon Log 2 mode. Streaking and black sun spots have been reduced in all modes by changing the CMOS sensor control.
  • ACES 1.0 Output via SDI/HDMI
  • Magnify Function During REC
  • Additional lens functionality is now available with the Cine -Servo 50 to 1000mm, Cine-Servo 17 to 120mm, Compact-Servo 18 to 80mm, and Dual Pixel Focus Guide has been added to the EF mount Canon Cinema prime lenses. Please note that you may need to also upgrade the firmware in your lens to access this functionality.

Main Features

Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)

Canon Log Gamma

Canon Log Gamma 2/ACES/REC.2020 support

Dual Canon DIGIC DV 5 Image Processor

The camera features Dual DIGIC DV 5 processors to handle the internal data processing.

XF AVC Codec

To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper

Designed with Filmmakers in Mind

A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.

Compact & Modular Design

The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.

Rugged, Durable & Quiet

The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.

Ultra-High-Resolution EVF

The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).

Rich Audio Controls

When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.

CFast Memory Card Recording

The camera records to CFast 1 cards through two slots.

High-Speed, Slow-Motion, Time-Lapse & Stop-Motion

Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.

Connectivity

To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.

Full Manual Control & Focusing Aids

The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.

Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.

Monitor

  • 1920 x 1200 resolution
  • 10-bit FRC monitoring processing
  • 1500 cd/m² brightness
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
  • High Bright mode for Rec. 709 viewing
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • UHD 4K downscale for HD monitoring

Input/Output

  • 4K HDMI and 12G-SDI inputs/outputs
  • Four 3G-SDI inputs (or single 12G-SDI)
  • SDI/HDMI cross conversion
  • Genlock/LTC input
  • Audio breakout cable for XLR audio input

Recording

  • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
  • 1080p recording up to 240 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • ProRes Raw and ProRes Raw HQ
  • Record up to 5.7p30, 4Kp60, HDp240
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • Ten metadata fields

Additional Features

  • Dual Sony L-series battery slots support hot swapping for continuous power
  • Built-in armor with silicone-covered corners
  • Audio level meters and mic level adjustment

Atomos Accessory Kit for Shogun/Ninja Inferno & Flame

The Atomos Accessory Kit includes everything you'll need for a complete workflow with your Shogun/Ninja Inferno and Flame monitors/recorders.

Kit Contents

  • HPRC hard flight case
  • 2.5mm female to dual 2.5mm male control cable
  • Two NP-F750 5200mAh batteries
  • Fast charger
  • USB 3.0 docking station
  • Coiled DC barrel to D-Tap cable
  • Four Master Caddy II drive caddies
  • AC power adapter
  • HDR sunhood

SPECS

Canon Cinema EOS C300 Mark II Camcorder Body (PL Lens Mount)
Image Sensor
Image Sensor Size 24.6 x 13.8 mm (Super35)
Sensor Type CMOS
Sensor Resolution 4206 x 2340 (9.84 MP)
Effective Sensor Resolution 4096 x 2160 (8.85 MP)
Pixel Pitch 6.4 µm
Color Filter Bayer
ISO 160 to 25,600 (Native)
100 to 102,400 (Expanded)
Gain -2 to 44 dB (Native)
-6 to 54 dB (Expanded)
Camera
Lens Mount PL Mount
Lens Communication Yes, with Autofocus Support
Shutter Speed 1/24 to 1/2000 sec
Shutter Angle 11.25 to 360°
Built-In ND Filter Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
Built-In Microphone Type None
Recording Media 2 x CFast 2.0 Card Slots
1 x SDXC Card Slot
Internal Recording
Recording Modes MXF: 
4096 x 2160p (225 to 410 MB/s) 
3840 x 2160p (225 to 410 MB/s) 
Audio Recording 4-Channel 24-Bit 48 kHz
Interfaces
Video Connectors 2 x BNC (3G-SDI) Output
1 x HDMI Output
Audio Connectors 2 x 3-Pin XLR Mic Level (+48 V Phantom Power) Input
1 x 1/8" (3.5 mm) Stereo Mic Level Input
1 x 1/8" (3.5 mm) Stereo Headphone Output
Other I/O 1 x BNC Timecode Input
1 x BNC Timecode Input/Output
1 x 2.5 mm LANC Control Input
Display
Display Type LCD
Screen Size 4"
Screen Resolution 1,230,000 Dots
EVF
Screen Size .46"
EVF Resolution 1,170,000 Dots
Power
Battery Type Canon BP-A Series
Power Connectors 1 x 4-Pin LEMO Input
General
Accessory Mount 1 x Cold Shoe Mount
1 x 1/4"-20 Female
Dimensions 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (Without Grip)
7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (With Grip)
Packaging Info
Box Dimensions (LxWxH)

18.4 x 14.1 x 13.9"

Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

Panel Type IPS-Type LCD
Display Size 7.1" / 18.0 cm
Screen Resolution 1920 x 1200
Aspect Ratio 16:9
Touchscreen Yes
Maximum Brightness 1500 cd/m2
Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi) 325 ppi
Real-Time LUT Monitoring SDR
I/O
Video 1 x HDMI Type A (HDMI 2.0) Output
1 x BNC (12G-SDI) Output
1 x HDMI Type A (HDMI 2.0) Input
4 x BNC (3G-SDI) Input
Embedded Audio HDMI: 8-Channel
SDI: 12-Channel
Audio 1 x 3.5 mm Headphone Output
1 x 10-Pin LEMO Input/Output
Built-In Speaker None
Power 1 x Barrel Input
Other I/O 1 x Genlock/LTC (BNC)
1 x LANC (2.5 mm)
Card Slot None
Format Support
Video Format HDMI (8/10-Bit 4:2:2)
UHD 4K: 24/25/30/50/60 
1080p: 24/25/30/50/60/120/240 
1080i: 50/60 
720p: 50/60 
SDI (8/10-Bit 4:2:2)
DCI 4K: 24/25/30/50/60 
1080p: 24/25/30/50/60/120 
1080PsF: 24/25/30 
1080i: 50/60 
720p: 50/60 
Video Signal Conversion HDMI to SDI
UHD 4K: 24/25/30 
1080p: 24/25/30/50/60/120 
1080i: 50/60 
720p: 50/60 
SDI to HDMI
UHD 4K: 24/25/30 
1080p: 24/25/30/50/60/120 
1080i: 50/60 
720p: 50/60 
Recording
Pulldown Conversion 2:2, 3:2
Camera Trigger SDI, HDMI
Encoding Formats 4096 x 2160
ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps 
DNxHR HQ, HQX, SQ, LB at up to 60 fps 
3840 x 2160
ProRes 422, LT, HQ at up to 60 fps 
DNxHR HQ, HQX, SQ, LB at up to 60 fps 
1920 x 1080
ProRes 422, LT, HQ at up to 240 fps 
DNxHD 220x, 145, 36 at up to 240 fps 
Recording Media 1 x 2.5" SSD (SATA III)
Phantom Power +48 V
Power
DC Input Power 6.2 to 16.8 VDC
Battery Type 2 x L-Series
Power Consumption 10 W (Typical)
24 W (Maximum)
General
Material of Construction Polycarbonate
Dimensions (W x H x D) 8.4 x 5 x 1.8" / 21.4 x 12.7 x 4.5 cm
Weight 1.4 lb / 0.65 kg
2.4 lb / 1.09 kg, Including Battery, Recording Media
Packaging Info
Box Dimensions (LxWxH) 12.6 x 6.75 x 3.95"
Atomos Accessory Kit for Shogun/Ninja Inferno & Flame
Packaging Info
Box Dimensions (LxWxH) 16.05 x 12.7 x 7.1"

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